1.

Record Nr.

UNICAMPANIASUN0057665

Titolo

[2]: Artt. 104-266 L. fall., norme transitorie

Pubbl/distr/stampa

Bologna : Zanichelli, 2007

ISBN

978-88-08-20120-1

Descrizione fisica

P. XXVI, 1576-2916 ; 25 cm.

Soggetti

Diritto fallimentare

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910957106803321

Titolo

Contested Modernities in Chinese Literature / / edited by C. Laughlin

Pubbl/distr/stampa

New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2005

ISBN

9786611765897

9781281765895

1281765899

9781403981332

1403981337

Edizione

[1st ed. 2005.]

Descrizione fisica

1 online resource (257 p.)

Altri autori (Persone)

LaughlinCharles A. <1964->

Disciplina

895.109005

Soggetti

Oriental literature

Asia - Languages

Literature

Literature, Modern - 20th century

Ethnology

Culture

Asian Literature

Asian Languages

World Literature

Twentieth-Century Literature

Regional Cultural Studies



Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover; Contents; Acknowledgments; Notes on Contributors; Introduction: Contested Modernities; Part I Rewriting Literary History; Part II The Quotidian Apocalypse; Part III The Moral Subject under Global Capitalism; Index

Sommario/riassunto

This book is a significant gathering of ideas on the subject of modern Chinese literature and culture of the past several years. The essays represent a wide spectrum of new approaches and new areas of subject matter that are changing the landscape of knowledge of modern and contemporary Chinese culture: women's literature, theatre (performance), film, graphic arts, popular literature, as well as literature of the Chinese diaspora. These phenomena and the approaches to them manifest interconnected trajectories for new scholarship in the field: the rewriting of literary history, the emergence of visual culture, and the quotidian apocalypse - the displacement of revolutionary romanticism and realism as central paradigms for cultural expression by the perspective of private, everyday experience.