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1. |
Record Nr. |
UNINA9910798252503321 |
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Autore |
Dirlik Arif |
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Titolo |
Marxism in the Chinese revolution / / Arif Dirlik |
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Pubbl/distr/stampa |
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Lanham, Maryland : , : Rowman & Littlefield Publishers, , [2005] |
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©2005 |
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ISBN |
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Descrizione fisica |
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1 online resource (342 p.) |
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Collana |
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State and society in East Asia series |
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Disciplina |
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Soggetti |
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Communism - China |
Socialism - China |
Ideology - China |
China Economic policy 1976-2000 |
China Politics and government 1976-2002 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Marxism In The Chinese Revolution; Contents; Acknowledgments; 1 Introduction; Part I The Origins; 2 Socialism and Capitalism in Chinese Socialist Thinking:The Origins; 3 National Development and Social Revolution in Early Chinese Marxist Thought; Part II Making Marxism Chinese: Mao Zedong; 4 Mao Zedong and ""Chinese Marxism""; 5 Modernism and Antimodernism in Mao Zedong's Marxism; 6 The Predicament of Marxist Revolutionary Consciousness: Mao Zedong, Antonio Gramsci, and the Reformulation of Marxist Revolutionary Theory; Part III The Cultural Revolution in Historical Perspective |
7 Revolutionary Hegemony and the Language of Revolution: Chinese Socialism between Present and the Future8 The Two Cultural Revolutions: The Chinese Cultural Revolution in the Perspective of Global Capitalism; 9 Revolutions in History and Memory: The Politics of Cultural Revolution in Historical Perspective; Part IV After the Revolution; 10 Postsocialism? Reflections on ""Socialism with Chinese Characteristics""; 11 Looking Backward in the Age of Global Capital: Thoughts on History in Third World Cultural Criticism |
12 Markets, Culture, Power: The Making of a ""Second Cultural Revolution"" in ChinaIndex; About the Author |
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Sommario/riassunto |
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Representing a lifetime of research and writing by noted historian Arif Dirlik, the essays collected here explore developments in Chinese socialism and the issues that have occupied historians of the Chinese revolution for the past three decades. These incisive essays range from the origins of socialism in the early twentieth century, through the victory of the Communists in mid-century, to the virtual abandonment by century's end of any pretense to a socialist revolutionary project by the leadership of the CCP. All that remains of the revolution in historical hindsight are memories of its fai |
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2. |
Record Nr. |
UNINA9910956466103321 |
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Autore |
Gray Ann |
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Titolo |
History on Television |
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Pubbl/distr/stampa |
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Hoboken, : Taylor and Francis, 2013 |
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London ; ; New York : , : Routledge, , 2013 |
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ISBN |
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1-283-91985-0 |
0-203-07480-7 |
1-135-11543-5 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (257 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Historical television programs -- Great Britain |
History on television |
National characteristics, English |
Television -- Production and direction |
Television and history -- Great Britain |
Historical television programs - Production and direction - Great Britain |
Television and history - Great Britain |
Television |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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HISTORY ON TELEVISION; Copyright; Contents; Preface; |
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Acknowledgements; Introduction; 1 The business of television: public service to brand identity; 2 Landmark and flagship television: heritage and national identity; 3 Commemorative and 'historical event' television: memory and identity; 4 Reenactment: engagement, experience and empathy; 5 Who do 'they' think 'we' are?: considering the audience; Conclusion: Problematizing 'public history' - what is rarely there?; Notes; Bibliography; Index |
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Sommario/riassunto |
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In recent years non-fiction history programmes have flourished on television. This interdisciplinary study of history programming identifies and examines different genres employed by producers and tracks their commissioning, production, marketing and distribution histories. With comparative references to other European nations and North America, the authors focus on British history programming over the last two decades and analyse the relationship between the academy and media professionals. They outline and discuss often-competing discourses about how to 'do' history and the underly |
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