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1. |
Record Nr. |
UNINA9910700523703321 |
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Titolo |
ESEA reauthorization [[electronic resource] ] : the Obama administration's ESEA reauthorization priorities : hearing of the Committee on Health, Education, Labor, and Pensions, United States Senate, One Hundred Eleventh Congress, second session ... March 17, 2010 |
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Pubbl/distr/stampa |
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Washington : , : U.S. G.P.O., , 2011 |
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Descrizione fisica |
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1 online resource (iii, 53 pages) |
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Collana |
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Soggetti |
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Educational law and legislation - United States |
Educational change - United States |
Educational accountability - United States |
School improvement programs - United States |
Federal aid to education - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from title screen (viewed on June 22, 2011). |
Paper version available for sale by the Supt. of Docs., U.S. G.P.O. |
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Nota di bibliografia |
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Includes bibliographical references. |
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2. |
Record Nr. |
UNINA9910955913203321 |
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Titolo |
Gender meets genre in postwar cinemas / / edited by Christine Gledhill |
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Pubbl/distr/stampa |
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Urbana, : University of Illinois Press, 2012 |
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ISBN |
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9786613895264 |
9781283582810 |
1283582813 |
9780252093661 |
0252093666 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (289 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Sex role in motion pictures |
Motion pictures and women |
Feminism and motion pictures |
Film genres |
Women in motion pictures |
Men in motion pictures |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction / Christine Gledhill -- Refiguring genre and gender. The genius of genre and ingenuity of women / Jane Gaines -- No fixed address: the women's picture from outrage to blue steel / Pam Cook -- Circulating emotion: race, gender, and genre in Crash / E. Deidre Pribram -- 100% pure adrenaline: gender and generic surface in Point break / Luke Collins -- Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / E. Ann Kaplan -- Bodies and genres in transition: girlfight and real women have curves / Yvonne Tasker -- Private femininity, public femininity: tactical aesthetics in the costume film / Samiha Matin -- Generic gleaning: Agnès Varda, documentary, and the art of salvage / Lucy Fischer -- Gender aesthetics in "male" genres. It's a Mann's world? / Adam Segal -- Up close and personal: faces and names in Casualties of war / Deborah Thomas -- Gender hyperbole and the uncanny in the horror film: The |
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shining / Katie Model -- Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / Ira Bhaskar -- Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / Xiangyang Chen -- Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / Vicente Rodriguez Ortega -- Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / Derek Kane-Meddock -- Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer -- "The gay cowboy movie": queer masculinity on Brokeback Mountain / Steven Cohan. |
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Sommario/riassunto |
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This collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter. |
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