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Record Nr. |
UNINA9910955687603321 |
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Autore |
Bergin Joseph <1948-> |
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Titolo |
Church, society, and religious change in France, 1580-1730 / / Joseph Bergin |
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Pubbl/distr/stampa |
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New Haven, : Yale University Press, c2009 |
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ISBN |
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1-282-35276-8 |
9786612352768 |
0-300-16106-9 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (1 online resource (xvii, 506 p.) ) : ill., maps |
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Disciplina |
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Soggetti |
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France History Modern period, 1500- |
France Church history |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- List of Maps -- List of Tables -- Preface -- Prologue: The Fire and the Ashes -- Part 1: Foundations -- 1. From Dioceses to Parishes: The Geography of the French Church -- 2. Wealth Into Benefices -- 3. Clerics And Clergy: The World of the Seculars -- 4. The Monastic Orders: Adjustment and Survival -- 5. From Mendicants to Congregations -- 6. A Silent Revolution:Women as Regulars -- 7. Bishops: Adaptation and Action -- 8. Remaking the Secular Clergy -- 9. The Triumph of the Parish? -- 10. Saints and Shrines -- 11. Sacraments and Sinners -- 12. Religion Taught and Learned -- 13. The Forms and Uses of Spirituality -- 14. The Many Faces of the Confraternities -- 15. Dévots: The Pious and the Militant -- 16. Jansenists: Dissidents But Also Militants -- Conclusion -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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This readable and engaging book by an acclaimed historian is the only wide-ranging synthesis devoted to the French experience of religious change during the period after the wars of religion up to the early Enlightenment. Joseph Bergin provides a clear, up-to-date, and thorough account of the religious history of France in the context of social, institutional, and cultural developments during the so-called long seventeenth century. Bergin argues that the French version of the Catholic Reformation showed a dynamism unrivaled elsewhere in |
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Europe. The traumatic experiences of the wars of religion, the continuing search within France for heresy, and the challenge of Augustinian thought successively energized its attempts at religious change. Bergin highlights the continuing interaction of church and society and shows that while the French experience was clearly allied to its European context, its path was a distinctive one. |
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2. |
Record Nr. |
UNINA9910956109603321 |
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Autore |
Wierzbicki James Eugene |
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Titolo |
Film music : a history / / James Wierzbicki |
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Pubbl/distr/stampa |
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New York, : Routledge, 2009 |
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ISBN |
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1-135-85143-3 |
1-281-90100-8 |
9786611901004 |
0-203-88447-7 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (329 p.) |
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Disciplina |
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Soggetti |
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Motion picture music - History and criticism |
Motion pictures and music |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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BOOK COVER; TITLE; COPYRIGHT; CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; ACKNOWLEDGMENTS; 1 INTRODUCTION; Part 1 MUSIC AND THE "SILENT" FILM (1894-1927); 2 ORIGINS, 1894-1905; 3 THE NICKELODEON, 1905-15; 4 FEATURE FILMS, 1915-27; Part 2 MUSIC AND THE EARLY SOUND FILM (1894-1933); 5 THE LONG ADVENT OF SOUND, 1894-1926; 6 VITAPHONE AND MOVIETONE, 1926-8; 7 HOLLYWOOD'S EARLY SOUND FILMS, 1928-33; Part 3 MUSIC IN THE "CLASSICAL-STYLE" HOLLYWOOD FILM (1933-60); 8 THE "GOLDEN AGE" OF FILM MUSIC, 1933-49; 9 POSTWAR INNOVATIONS AND THE STRUGGLE FOR SURVIVAL, 1949-58 |
Part 4 FILM MUSIC IN THE POST-CLASSIC PERIOD (1958-2008)10 A |
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"NEW WAVE" OF FILM MUSIC, 1958-78; 11 ECLECTICISM, 1978-2001; 12 EPILOGUE, 2001-8; NOTES; BIBLIOGRAPHY; INDEX |
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Sommario/riassunto |
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Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book's four large parts are given over to Music and the ""Silent"" Film (1894?1927), Music and the Early Sound Film (1895?1933), Music in the ""Classical-Style"" Hollywood Film (1933?1960), and Film Music in the Post-Classic Period (1958?2008). Whereas most treatments of the subject are simply chronicles of ""great film scores"" and their composers, this book offers a genuine h |
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