1.

Record Nr.

UNISALENTO991002737969707536

Autore

Kocay, William

Titolo

Graphs, algorithms, and optimization / William Kocay, Donald L. Kreher

Pubbl/distr/stampa

Boca Raton : Chapman & Hall/CRC, c2005

ISBN

1584883960

Descrizione fisica

483 p. : ill. ; 24 cm

Collana

Discrete mathematics and its applications

Classificazione

AMS 68W05

LC QA166.245.K63

Altri autori (Persone)

Kreher, Donald L

Disciplina

511.5

Soggetti

Graph algorithms

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references (p. 469-476) and index



2.

Record Nr.

UNINA9910955199303321

Autore

Hayes E. Bruce

Titolo

Rabelais's radical farce : late medieval comic theater and its function in Rabelais / / E. Bruce Hayes

Pubbl/distr/stampa

Burlington, VT, : Ashgate, 2010

ISBN

9786612857744

9781315603346

1315603349

9781317072317

1317072316

9781317072300

1317072308

9781282857742

1282857746

9781409423959

1409423956

Edizione

[1st ed.]

Descrizione fisica

1 online resource (197 p.)

Disciplina

843/.3

Soggetti

French drama (Comedy) - History and criticism

Farce - History and criticism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover; Contents; Acknowledgements; Introduction; Part 1 The World of Farce; 1 The Ethics and Ethos of Farce; 2 "Tant de langaige": The Languages of Farce; Part 2 Rabelais's Radical Farce; 3 Humanist Satirical Farce in Pantagruel and Gargantua; 4 Unresolved Farce and "tragicque farce": Tiers and Quart Livres; Conclusion; Selected Bibliography; Index

Sommario/riassunto

By tracing the evolution of farce from Pantagruel and Gargantua through the Tiers and Quart livres, Bruce Hayes makes an important contribution to the understanding of Rabelais' writing, and of farce's literary possibilities. He distinguishes Rabelais's use of farce from the conservative tradition, showing how the French writer used it as a vehicle to attack the status quo and to suggest alternatives to



contemporary legal, educational, and theological systems.