1.

Record Nr.

UNISALENTO991000279899707536

Autore

Vilmorin, Louise de

Titolo

Madame de; suivi de Julietta / Louise de Vilmorin

Pubbl/distr/stampa

Paris : Gallimard, 1951

Descrizione fisica

247 p. ; 18 cm.

Disciplina

843.912

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910954779903321

Autore

Avishai Bernard

Titolo

Promiscuous : Portnoy's complaint and our doomed pursuit of happiness / / Bernard Avishai

Pubbl/distr/stampa

New Haven, : Yale University Press, c2012

ISBN

9786613601094

9781280571497

1280571497

9780300178111

0300178115

Edizione

[1st ed.]

Descrizione fisica

1 online resource (224 p.)

Altri autori (Persone)

LebowitzBrian E

Disciplina

813/.54

Soggetti

Satire, American - History and criticism

Jews in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front matter -- Contents -- Prologue Teaching Notes -- 1. A Novel in the Form of a Confession The Enigma of Portnoy, Who Is Not Roth -- 2. Really Icky Portnoy as Satirist -- 3. "The Best Kind": Portnoy as the



Object of Satire -- 4. Punch Line: Psychoanalysis as the Object of Satire -- Conclusion You Are Not True -- Notes -- Acknowledgments -- Index

Sommario/riassunto

The publication of Portnoy's Complaint in 1969 provoked instant, powerful reactions. It blasted Philip Roth into international fame, subjected him to unrelenting personal scrutiny and conjecture, and shocked legions of readers-some delighted, others appalled. Portnoy and other main characters became instant archetypes, and Roth himself became a touchstone for conflicting attitudes toward sexual liberation, Jewish power, political correctness, Freudian language, and bourgeois disgust. What about this book inspired Richard Lacayo of Time to describe it as "a literary instance of shock and awe," and the Modern Library to list it among the 100 best English-language novels of the twentieth century? Bernard Avishai offers a witty exploration of Roth's satiric masterpiece, based on the prolific novelist's own writings, teaching notes, and personal interviews. In addition to discussing the book's timing, rhetorical gambit, and sheer virtuousity, Avishai includes a chapter on the Jewish community's outrage over the book and how Roth survived it, and another on the author's scorching treatment of psychoanalysis. Avishai shows that Roth's irreverent novel left us questioning who, or what, was the object of the satire. Hilariously, it proved the serious ways we construct fictions about ourselves and others.