Fisica e tecnologia / Società Italiana di Fisica

• Record Nr.: UNISA990003486840203316
• Pubbl/distr/stampa: Bologna, : Editrice Compositori, 1978-1990
• ISSN: 0391-9757
• Descrizione fisica: volumi : ill. ; 24 cm
• Disciplina: 621.305
• Soggetti: Elettrotecnica - Periodici
• Lingua di pubblicazione: Italiano
• Formato: Materiale a stampa
• Livello bibliografico: Periodico

Serfdom, society, and the arts in imperial Russia : the pleasure and the power / / Richard Stites

• Record Nr.: UNINA9910953442303321
• Autore: Stites Richard <1931-2010.>
• Pubbl/distr/stampa: New Haven, Conn. ; ; London, : Yale University Press, 2005
• ISBN: 1-281-73008-4; 9786611730086; 0-300-12818-5
• Edizione: [1st edition]
• Descrizione fisica: 1 online resource (1 online resource (xiii, 586 pages, 36 unnumbered pages of plates) : illustrations
• Disciplina: 700.1030947
• Soggetti: Serfdom - Russia; Arts and society - Russia; Russia Social life and customs 19th century
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Bibliographic Level Mode of Issuance: Monograph
• Nota di bibliografia: Includes bibliographical references (p. 501-547) and index.
• Nota di contenuto: Front matter -- Contents -- Acknowledgments -- Introduction: What's in a Title? -- 1. Town and Country -- 2. The Domestic Muse -- 3. In ; Search of a Concert Hall -- 4. Inside the Capital Stages -- 5. An Unfolding Drama -- 6. Playing the Provinces -- 7. Academic Vistas -- 8. Exploring the Interior -- 9. When Did the Real Day Dawn? -- List of Abbreviations -- Notes -- Bibliography -- Index
• Sommario/riassunto: Serf-era and provincial Russia heralded the spectacular turn in cultural history that began in the 1860's. Examining the role of arts and artists in society's value system, Richard Stites explores this shift in a groundbreaking history of visual and performing arts in the last decades of serfdom. Provincial town and manor house engaged the culture of Moscow and St. Petersburg while thousands of serfs and ex-serfs created or performed. Mikhail Glinka raised Russian music to new levels and Anton Rubinstein struggled to found a conservatory. Long before the itinerants, painters explored town and country in genre scenes of everyday life. Serf actors on loan from their masters brought naturalistic acting from provincial theaters to the imperial stages. Stites's richly detailed book offers new perspectives on the origins of Russia's nineteenth-century artistic prowess.