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1. |
Record Nr. |
UNISA996392982303316 |
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Autore |
Vernon Samuel |
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Titolo |
The trepan [[electronic resource] ] : being a true relation, full of stupendious variety, of the strange practises of Mehetabel the wife of Edward Jones, and Elizabeth wife of Lieutenant John Pigeon, sister to the said Mehetabel. Wherein is discovered the subtil method whereby they cheated Mr. Wessel Goodwin, a dyar in Southwark, and all his children of a fair estate: with sundry copies of letters, perfumed locks of hair, and verses they sent him, and many other notable devices belonging to the art of trepanning |
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Pubbl/distr/stampa |
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[London, : s.n.], Printed in the year, 1656 |
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Descrizione fisica |
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Soggetti |
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Society of Friends |
Fraud - England |
Rogues and vagabonds |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Attributed to Samuel Vernon by Wing. |
Place of publication from Wing. |
Annotation on Thomason copy: "July. 20". |
Reproduction of the original in the British Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910920447003321 |
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Autore |
White Gareth <1968-> |
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Titolo |
Audience Participation in Theatre : Evolutions of the Invitation / / by Gareth White |
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Pubbl/distr/stampa |
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Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
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ISBN |
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Edizione |
[2nd ed. 2024.] |
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Descrizione fisica |
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1 online resource (262 pages) |
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Disciplina |
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Soggetti |
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Theater - History |
Performing arts |
Theater |
Audiences |
Contemporary Theatre and Performance |
Theatre and Performance Arts |
Fan and Audience Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction. -Chapter1 -- Process and Procedure. -Chapter2 -- Risk and Rational Action. - Chapter3.-Irrational Interactions. -chapter 4.-Accepting the Invitation. -Chapter 5.-Evolutions of the invitation. -Conclusion. -Bibliography. |
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Sommario/riassunto |
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This new textbook edition of Audience Participation in Theatre: Evolutions of the Invitation situates the text in evolving theory, emerging practice, and changing contexts, re-establishing itself as the key reference point in its field. An updated review of the literature and a new chapter develops its original argument with respect to historical change in how audiences and their expectations are constituted, and changes to how participation is invited, mediated and valued. Gareth White is Reader in Theatre and Performance at Royal Central School of Speech and Drama, UK. His publications include Applied Theatre: Aesthetics, exploring the idea of the aesthetic in performance practice with social aims, and Meaning in the Midst of Performance: |
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Contradictions of Participation, examining how performance that situates the audience participant within difficult or impossible dilemmas creates complex embodied meaning. |
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