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UNINA9910903700103321 |
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Autore |
Hoyt Eric |
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Titolo |
Global Movie Magazine Networks |
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Pubbl/distr/stampa |
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Berkeley : , : University of California Press, , 2025 |
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©2025 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (426 pages) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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PERFORMING ARTS / Film & Video / History & Criticism |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Contents -- List of Figures and Tables -- Acknowledgments -- Introduction -- Section ONE Hybrid Journals -- 1 From Paris to the World -- 2 Filmindia and Its Publics -- 3 The Popular Media Boom and Cultural Politics in South Korea (1956–1971) -- 4 Compilation, Collage, and Film Publishing in 1950s–1960s Iran -- 5 Syndicated Sunday Movie Sections -- 6 Cine-News, Paper Cinema, and Film Periodicals as Intermedial Encounters -- Section TWO Film Cultures, Critics, and Circuits -- 7 Latin American Cine Club Magazines -- 8 Hands-On Cinema -- 9 Cinéma and the Vitality of Mid-century French Film Culture -- 10 African Film Criticism in the Colonial Capital, 1957–1967 -- 11 Japan’s Post-1968: Kikan firumu, Shinema 69, and Eiga hihyō -- 12 Film Appreciation -- Section THREE Intermediaries of State, Region, and Media -- 13. Kino: The Cinema Weekly of Stalin’s Times -- 14 Cine-Mundial -- 15 Radiolandia, Fan Magazines, and Stardom in 1930s and 1940s Argentina -- 16 The Illustrated Popular Film Magazine Neue Filmwelt (1947–1953) -- Section FOUR Data, Curation, and Historiography -- 17. Chronicling a National History: Hye Bossin’s Canadian Film Weekly and Year Book -- 18 Cinema Theaters from Within -- 19 Searching for Similarity -- 20 Provenance of Early Chinese Movie Publications -- Appendix -- Contributor Bios -- INDEX |
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Sommario/riassunto |
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A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit |
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www.luminosoa.org to learn more. This groundbreaking collection of essays from leading film historians features original research on movie magazines published in China, France, Germany, India, Iran, Latin America, South Korea, the U.S., and beyond. Vital resources for the study of film history and culture, movie magazines are frequently cited as sources, but rarely centered as objects of study. Global Movie Magazine Networks does precisely that, revealing the hybridity, heterogeneity, and connectivity of movie magazines and the important role they play in the intercontinental exchange of information and ideas about cinema. Uniquely, the contributors in this book have developed their critical analysis alongside the collaborative work of building digital resources, facilitating the digitization of more than a dozen of these historic magazines on an open-access basis. |
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