| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA996384084103316 |
|
|
Titolo |
Here beginneth the booke, named the assise of breade [[electronic resource] ] : what it ought to weygh, after the price of a quarter of wheate. And also the assise of ale, wyth all maner of wood and cole, lath, boord, and tymber, and the weyght of butter and cheese |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
[Imprinted at London, : By H. Iackson, [ca. 1580]] |
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Soggetti |
|
Bread - England |
Weights and measures - England |
Bakers and bakeries - England |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Place of publication and printer's name from colophon; publication date suggested by STC. |
Signatures: A-Dâ´. |
Reproduction of the original in the British Library. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910878059803321 |
|
|
Autore |
Dorssemont F (Filip) |
|
|
Titolo |
On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art : From 1870 to 1914 and Beyond / / edited by Filip Dorssemont |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Cham : , : Springer International Publishing : , : Imprint : Springer, , 2024 |
|
|
|
|
|
|
|
|
|
ISBN |
|
9783031636349 |
9783031636332 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed. 2024.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (216 pages) |
|
|
|
|
|
|
Collana |
|
Law and Visual Jurisprudence, , 2662-4540 ; ; 15 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Law - Philosophy |
Law - History |
Semiotics |
Social legislation |
Europe, Central - History |
Labor |
History |
Theories of Law, Philosophy of Law, Legal History |
Labour Law/Social Law |
History of Germany and Central Europe |
Labor History |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di contenuto |
|
Introduction -- Some perspectives on the representation of industrial disputes under the shadow of repression in European Art (1870-1914) -- Early Stages of Collective Action and their Visual Representations: an Emotions Driven Approach to the Struggle for Better Working Conditions -- The Midinette guiding the People. An iconographic break of the Assiette au Beurre -- Labour and Art: The dualism of backwardness and timeliness in Hungary and in its Eastern neighbourhood -- From 1844 to 1944 - Workers and revolutions in Poland -- Conclusions. |
|
|
|
|
|
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910255232503321 |
|
|
Titolo |
Lindsay Anderson Revisited : Unknown Aspects of a Film Director / / edited by Erik Hedling, Christophe Dupin |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
|
|
Edizione |
[1st ed. 2016.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (XXI, 227 p. 14 illus., 11 illus. in color.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Motion pictures - Production and direction |
Ethnology - Great Britain |
Culture |
Motion pictures - Great Britain |
Motion pictures - History |
Directing |
British Culture |
British Film and TV |
Film and TV History |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
|
|
|
|
|
Nota di contenuto |
|
Acknowledgements -- Preface: Remembering the Past/For the Future: Lindsay Anderson and What Can Be Done in Cinema. Christine Holmlund -- 1. 'Lindsay Anderson’s Legacy: An Introduction', Erik Hedling and Christophe Dupin -- 2. 'Just Remembering Lindsay', David Robinson -- 3. ‘Lindsay Anderson: Child of Empire’, Karl Magee -- 4. 'A Kind of Friendship: Lindsay Anderson and John Ford', Charles Barr -- 5. 'Secret People: Anderson and Thorold Dickinson', Robert Murphy -- 6. 'Lindsay Anderson and Serge Reggiani: Writing, Friendship and Directorial Practice', Isabelle Gourdin Sangouard -- 7. ’Notes from Sherwood’, Michael Eaton -- 8. ’Lindsay Anderson – The Polish Connection’, Bjørn Sørenssen -- 9. ’Lindsay: With a Little Help from his Friends’, Charles Drazin -- 10. ’Anderson in America: Transatlantic Satire in the 1960s’, Allison Graham -- 11. ‘The Auteur vs the |
|
|
|
|
|
|
|
|
|
|
|
Institution: The Tempestuous Relationship between Lindsay Anderson and the BFI, 1949-1994’, Christophe Dupin -- 12. ‘Theatre, Film and Television: Lindsay Anderson Directs David Storey’s In Celebration (1969) and Home (1970)’, John Izod -- 13. ‘Strange Bedfellows: Lindsay Anderson and Chariots of Fire’, Erik Hedling -- 14. ‘Lindsay Anderson and Scotland: Identity and the Inveterate Outsider’, Duncan Petrie -- 15. ’A Critical Conscience’, Paul Ryan -- Notes on Contributors -- . |
|
|
|
|
|
|
Sommario/riassunto |
|
Lindsay Anderson was a highly influential personality within British cinema, mostly famous for landmark films like This Sporting Life (1963) and If….(1968). This book deals primarily with hitherto unexplored aspects of his career: his biographical background in the British upper class, his devoted film criticism, and his angry relationship to contemporary society in general. Thus, the book contains, for instance, chapters about his childhood in India, his writings about John Ford, his relationship to French star Serge Reggiani, his work on TV in the 1950s, with scripts provided by blacklisted scriptwriters, his troubles with the British film establishment, and his gradually emerging concern regarding himself being Scottish, not English. The book also has some chapters written by close friends of Anderson, who died in 1994, dwelling on his penchant for controversy and quarrel, but also on his remarkable artistic talent and strong commitment. |
|
|
|
|
|
|
|
| |