| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910450334903321 |
|
|
Autore |
Freeman Jo J |
|
|
Titolo |
At Berkeley in the Sixties [[electronic resource] ] : The Making of an Activist |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Bloomington, IN, : Indiana University Press, 2003 |
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (385 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
College students |
College students - California - Berkeley - Political activity - History |
Freeman, Jo |
History |
Political activity |
Student movements |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di contenuto |
|
List of Illustrations; A Note on Nomenclature; List of Acronyms and Abbreviations; Preface and Acknowledgments; 1 The Train to Berkeley; 2 Cal; 3 Politics and the University; 4 SLATE; 5 Exploring the Political Bazaar; 6 The Young Democrats; 7 Student; 8 Protest; 9 Summer Vacation in Washington, D.C.; 10 Crossing the Line; 11 The Speaker Ban; 12 The SLATE Supplement; 13 Fair Housing; 14 Mexico and Central America; 15 The House on Parker Street; 16 The Assassination of JFK; 17 The Bay Area Civil Rights Movement; 18 On Civil Disobedience; 19 The Sheraton-Palace; 20 Auto Row |
21 Clogging the Courts22 On Trial; 23 Freedom Summer; 24 Summer Session; 25 Hitchhiking; 26 The Democratic Convention; 27 New York City; 28 First Week of the Fall Semester; 29 Eviction!; 30 Who Done It?; 31 Capturing the Car; 32 Strongwalled; 33 The October 2nd Pact; 34 The FSM Is Born; 35 Sparring; 36 Energy; 37 Escalation; 38 The "Right Wing" Revolt; 39 The Secret Negotiations; 40 Changes; 41 Mutual Misconceptions; 42 The Heyman Committee Report; 43 The Regents Meet; 44 The Abortive Sit-In; 45 Resurrection; 46 The Real Sit-In; 47 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Strike!; 48 Victory; 49 Intermission; 50 FUCK; 51 The Trial |
52 On Regents and Rules53 The State Legislature; 54 Graduation; 55 The FBI Files; 56 Aftermath, Afterword, and Afterthoughts; Notes; References and Sources; Index; About the Author |
|
|
|
|
|
|
Sommario/riassunto |
|
This book is a memoir and a history of Berkeley in the early Sixties. As a young undergraduate, Jo Freeman was a key participant in the growth of social activism at the University of California, Berkeley. The story is told with the ""you are there"" immediacy of Freeman the undergraduate but is put into historical and political context by Freeman the scholar, 35 years later. It draws heavily on documents created at the time -- letters, reports, interviews, memos, newspaper stories, FBI files -- but is |
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910875595503321 |
|
|
Autore |
Svenungsson Jan |
|
|
Titolo |
Art Intelligence : How Generative AI Relates to Human Art-Making |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Bielefeld : , : transcript Verlag, , 2024 |
|
©2024 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (121 pages) |
|
|
|
|
|
|
Collana |
|
Digitale Gesellschaft Series |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di contenuto |
|
Cover -- INDEX -- it can make them -- the picture -- the role of archives -- interpretation -- anthropomorphizing. -- removing an anthill -- "authenticity" -- "Bored Ape" -- "Bach Faucet" -- artistic quality -- "increasingly obsolete" -- to know who made it -- get away with it -- businessplans -- scraped -- energy consumption -- executing a style -- her name is still part of the creative process -- feedback loops -- "curator" -- Freedom from choice -- inspired by something -- running water -- human friction -- no brooding -- a |
|
|
|
|
|
|
|
|
|
|
|
game between humans -- narrative aspects -- Turing Test -- theater -- enabling new ways of thinking -- "mechanical sympathy" -- "Changer la vie" -- the conditions for satire -- identity -- community -- to touch people -- remote collaboration -- intuitive knowledge -- The art world needs text -- cocooned by culture -- the accused angel quality -- embracing human friction -- that can't be copied. |
|
|
|
|
|
|
Sommario/riassunto |
|
Artists always react to the times in which they live. They may celebrate them or criticize them, often trying to change them. But this is the first time in history that technology controlled by private companies is offering to replace the work of writers, musicians, illustrators and visual artists. What impact will generative AI have on how we create art and how we understand what art is for? How will it affect the role of the artist in the future and the conditions under which artists will work? Jan Svenungsson tackles these questions, investigating what AI might do for art, and what it might change, circling the core issue of what it is in human art-making that cannot be replaced. |
|
|
|
|
|
|
|
| |