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1. |
Record Nr. |
UNINA990009436150403321 |
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Autore |
Flügge, Carl |
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Titolo |
Die Mikroorganismen : mit besonderer Berücksichtigung der Aetiologie der Infectionskrankheiten / C. Flügge |
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Pubbl/distr/stampa |
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Edizione |
[2., völlig umgearb. Aufl. der "Fermente und Mikroparasiten"] |
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Descrizione fisica |
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XVIII, 692 p. : ill. ; 23 cm |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996395995103316 |
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Titolo |
Pastoral admonitions [[electronic resource] /] / directed by the Bishop of Cork to all under his charge ; whereunto is added A sermon reflecting on the late sufferings and deliverance of the Protestants in the said county and city, preached at White-Hall on the fourth Sunday in Lent, March 22, 1690 |
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Pubbl/distr/stampa |
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Cork, : Printed by John Brent, for David Jones ..., 1691 |
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Descrizione fisica |
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Altri autori (Persone) |
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WettenhallEdward <1636-1713.> |
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Soggetti |
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Sermons, Irish - 17th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"A sermon preached at White-Hall, before the Queen, on the fourth Sunday in Lent, March 22. 1690" has special t.p. and separate paging. |
Attributed to Wettenhall by Wing and NUC pre-1956 imprints. |
Errata: prelim. p. [2]. |
Reproduction of original in the Cambridge University Library. |
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3. |
Record Nr. |
UNINA9910863177503321 |
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Autore |
Masura Nadja |
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Titolo |
Digital Theatre : The Making and Meaning of Live Mediated Performance, US & UK 1990-2020 / / by Nadja Masura |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
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ISBN |
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Edizione |
[1st ed. 2020.] |
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Descrizione fisica |
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1 online resource (XVI, 295 p. 21 illus., 19 illus. in color.) |
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Collana |
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Palgrave Studies in Performance and Technology, , 2947-5856 |
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Disciplina |
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Soggetti |
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Stage management |
Theater - History |
Performing arts |
Theater |
Technology and Stagecraft |
Contemporary Theatre and Performance |
Theatre and Performance Arts |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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1. Introduction -- 2. Scenography -- 3. The Theatre Building/Place -- 4. The Actor -- 5. The Animated Actor -- 6. Costuming -- 7. Director/Dramaturg (Authority) -- 8. Writer/Audience (Authorship) -- 9. Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place -- 10. Theorizing Place/Community: Issues of Access and Performativity -- 11. Conclusion: Binaries of Hope, Theorizing Theater's Place in an Increasingly Performative Digital World. |
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Sommario/riassunto |
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Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate |
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video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder's Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today's artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded. . |
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