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1. |
Record Nr. |
UNINA9910563173603321 |
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Autore |
Kaps Klemens |
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Titolo |
Ungleiche Entwicklung in Zentraleuropa : Galizien zwischen überregionaler Verflechtung und imperialer politik (1772-1914) / / Klemens Kaps |
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Pubbl/distr/stampa |
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Böhlau, 2015 |
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Vienna, Austria : , : Böhlau Verlag |
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Cologne, Germany : , : Weimar, , 2015 |
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Descrizione fisica |
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1 online resource (535 pages) : digital, PDF file(s) |
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Collana |
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Sozial- und Wirtschaftshistorische Studien ; ; Band 37 |
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Soggetti |
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Politics & government |
Galicia (Poland and Ukraine) Economic conditions |
Austria Economic policy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Sommario/riassunto |
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The Habsburg crownland Galicia was one of the poorest region of the Habsburg Monarchy and could in the 19th century only rudimentarily catch up with industrialization and income growth of other regions. The book shows how over the long run the unequal transregional entanglements, in particular concerning commodity trade, alongside with the imperial economic policy restrained Galicia’s economic development between 1772 and 1914. |
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2. |
Record Nr. |
UNINA9910852985503321 |
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Autore |
Lotz Amanda D. <1974-> |
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Titolo |
Cable Guys : Television and Masculinities in the 21st Century / / Amanda D. Lotz |
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Pubbl/distr/stampa |
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New York : , : New York University Press, , 2014 |
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Baltimore, Md. : , : Project MUSE, , 2021 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (252 p.) |
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Classificazione |
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SOC052000PER010030SOC032000 |
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Disciplina |
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Soggetti |
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Television americaine |
Television |
Series televisees americaines (Etats-Unis) |
Series televisees |
Masculinite |
Télédistribution - États-Unis - 21e siecle |
Télévision - Aspect social - États-Unis - 21e siecle |
Hommes - A la television - États-Unis |
Masculinité - A la television - États-Unis |
Television broadcasting - Social aspects |
Men on television |
Masculinity on television |
Cable television - Social aspects |
Television - Aspect social - États-Unis |
Teledistribution - Aspect social - États-Unis |
Hommes à la television |
Masculinite à la television |
Television broadcasting - Social aspects - United States |
Cable television - Social aspects - United States |
Etats-Unis |
United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- Understanding Men on Television -- Trying to Man Up: Struggling with Contemporary Masculinities in Cable's Male-Centered Serials -- Any Men and Outlaws: The Unbearable Burden of Straight White Man -- Where Men Can Be Men: The Homosocial Enclave and Jocular Policing of Masculinity -- Dynamic Duos: Hetero Intimacy and the New Male Friendship -- Conclusion: Is It the End of Men as We Know Them? |
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Sommario/riassunto |
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The emergence of "male-centered serials" such as The Shield, Rescue Me, and Sons Of Anarchy and the challenges these characters face in negotiating modern masculinities. From the meth-dealing but devoted family man Walter White of AMC’s Breaking Bad, to the part-time basketball coach, part-time gigolo Ray Drecker of HBO’s Hung, depictions of male characters perplexed by societal expectations of men and anxious about changing American masculinity have become standard across the television landscape. Engaging with a wide variety of shows, including TheLeague, Dexter, and Nip/Tuck, among many others, Amanda D. Lotz identifies the gradual incorporation of second-wave feminism into prevailing gender norms as the catalyst for the contested masculinities on display in contemporary cable dramas. Examining the emergence of “male-centered serials” such as The Shield, Rescue Me, and Sons of Anarchy and the challenges these characters face in negotiating modern masculinities, Lotz analyzes how these shows combine feminist approaches to fatherhood and marriage with more traditional constructions of masculine identity that emphasize men’s role as providers. She explores the dynamics of close male friendships both in groups, as in Entourage and Men of a Certain Age, wherein characters test the boundaries between the homosocial and homosexual in their relationships with each other, and in the dyadic intimacy depicted in Boston Legal and Scrubs. Cable Guys provides a much needed look into the under-considered subject of how constructions of masculinity continue to evolve on television. |
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