| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910467569003321 |
|
|
Titolo |
Typographorum emblemata : the printer's mark in the context of early modern culture. / / edited by Anja Wolkenhauer, Bernhard F. Scholz |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter Saur, , 2018 |
|
©2018 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (442 pages) |
|
|
|
|
|
|
Collana |
|
, Schriftmedien / Written Media, 2364-9771 ; ; Band 4 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Printers |
Printers - Europe - History |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Frontmatter -- Contents -- Preface / Wolkenhauer, Anja / Bernhard, Tübingen -- Part A: Beginnings and Provenances -- Sisters, or Mother and Daughter? The Relationship between Printer's Marks and Emblems during the First Hundred Years / Wolkenhauer, Anja -- Ekphrasis and Printer's Signets / Bässler, Andreas -- Beastly Devices: Early Printer's Marks and Their Medieval Origins / Houwen, Luuk -- From Nameplate to Emblem. The Evolution of the Printer's Device in the Southern Low Countries up to 1600 / Meeus, Hubert -- Part B: Regions & Places -- Heraldic and Symbolic Printer's Devices of Greek Printers in Italy (Fifteenth and Sixteenth Centuries) / Staikos, Konstantinos Sp. -- Jewish Printers' Marks from Poland (Sixteenth-Seventeenth Centuries) / Jakimyszyn-Gadocha, Anna -- Fama Typographica. In Search of the Emblem Form of Printer's Devices. The Iconography and Emblem Form of Printer's Devices in Sixteenth- and Seventeenth-Century Poland / Tomicka, Joanna A. -- Pallas Nostra Salus. Early Modern Printer's Marks in Leiden as Expressions of Professional and Personal Identity -- Early Modern Munich Printer's Marks (and Related Issues) / Peil, Dietmar -- The Printer's Mark in Early Modern Sweden / Lundblad, Kristina -- Iceland's Lack of Printer's Devices: Filling a Functional and Spatial Void in Printed Books during the Sixteenth Century / Hufnagel, Silvia -- Part |
|
|
|
|
|
|
|
|
|
|
|
C: Concepts, Historical and Systematic -- The Truth of Printer's Marks: Andrea Alciato on "Aldo's Anchor", "Froben's Dove" and "Calvo's Elephant". A Closer Look at Alciato's Concept of the Printer's Mark / Scholz, Bernhard F. -- The Legal Significance and Humanist Ethos of Printers' Insignia / Hayaert, Valérie -- The Transition of the Printer's Device from a Sign of Identification to a Symbol of Aspirations and Beliefs / Kiliańczyk-Zięba, Justyna -- Mottos in Printers' Devices - Thoughts about the Hungarian Usage / Vizkelety-Ecsedy, Judit -- European Printers' and Publishers' Marks in the Eighteenth Century. The Three C's: Conformity, Continuity and Change / Simon, Melinda -- In Place of an Afterword: Notes on Ordering the Corpus of the Early Modern Printer's Mark / Scholz, Bernhard F. -- Part D: Research Bibliography and Index -- Research Bibliography: The Early Modern Printer's Mark in Its Cultural Contexts -- Contributors -- Index |
|
|
|
|
|
|
Sommario/riassunto |
|
This collection of specially commissioned articles aims to shed light on the Early Modern printer's mark, a very productive Early Modern word-image so far only occasionally noted outside the domain of book history. It does so from the perspectives of book history, literary history, especially emblem scholarship, and art history. The various contributions to the volume address issues such as those of the adoption of printer's devices in the place of the older heraldic printer's marks as a symptom of the changing self-image of the representatives of the Early Modern printing profession, of the mutual influence of emblems and printer's marks, of the place of Classical learning in the design of Humanist printer's marks, of the economic factors involved in the evolution of Early Modern printer's marks, the pictorial topics of the Early Modern printer's mark, and the printer's mark as a result of the 'Verbürgerlichung' of the device of Early Modern nobility. Special care was taken to account for the similarities and differences of the printer's marks produced and used in different regional and cultural contexts. The printer's mark thus becomes visible as a European phenomenon that invites studying some of the most significant shared aspects of Early Modern culture. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910153164903321 |
|
|
Autore |
Carpentier Nelly |
|
|
Titolo |
Adolescentes Mamans : Histoire et Actualité |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Paris : , : Editions L'Harmattan, , 2014 |
|
©2014 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (137 pages) |
|
|
|
|
|
|
Soggetti |
|
Teenage mothers |
Motherhood |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Sommario/riassunto |
|
The book 'Adolescentes mamans' by Nelly Carpentier explores the complex phenomenon of adolescent motherhood in contemporary society. It delves into the historical and social evolution of the perception of young mothers, from stigmatization as 'fille-mère' to recognition as 'maman solo'. The author, drawing from her extensive experience in social work and research, examines the diverse experiences of young mothers, highlighting their challenges and resilience. The book discusses the societal, familial, and institutional factors influencing teenage pregnancy, offering insights into the psychological and social dynamics at play. Intended for academics, social workers, and policymakers, it aims to foster understanding and support for young mothers and their children. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910852984703321 |
|
|
Autore |
Brueggemann Brenda Jo <1958-> |
|
|
Titolo |
Deaf Subjects : Between Identities and Places / / Brenda Jo Brueggemann |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York, New York : , : New York University Press, , [2009] |
|
©2009 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (215 pages) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Deafness |
Deaf people |
Culture |
Deafness - history |
History, 19th Century |
History, 20th Century |
Persons with Hearing Disabilities |
Sign Language |
Essay |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (p. 179-189) and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Between: -- 2. American Sign Language and the Academy -- 3. Approaching American Sign Language Literature -- 4. Narrating Deaf Lives -- 5. Deaf Eyes -- 6. Posting Mabel -- 7. Economics, Euthanasia, Eugenics -- Notes -- Works Cited -- Index -- About the Author |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
In this probing exploration of what it means to be deaf, Brenda Brueggemann goes beyond any simple notion of identity politics to explore the very nature of identity itself. Looking at a variety of cultural texts, she brings her fascination with borders and between-places to expose and enrich our understanding of how deafness embodies itself in the world, in the visual, and in language.Taking on the creation of the modern deaf subject, Brueggemann ranges from the intersections |
|
|
|
|
|
|
|
|
|
|
of gender and deafness in the work of photographers Mary and Frances Allen at the turn of the last century, to the state of the field of Deaf Studies at the beginning of our new century. She explores the power and potential of American Sign Language—wedged, as she sees it, between letter-bound language and visual ways of learning—and argues for a rhetorical approach and digital future for ASL literature.The narration of deaf lives through writing becomes a pivot around which to imagine how digital media and documentary can be used to convey deaf life stories. Finally, she expands our notion of diversity within the deaf identity itself, takes on the complex relationship between deaf and hearing people, and offers compelling illustrations of the intertwined, and sometimes knotted, nature of individual and collective identities within Deaf culture. |
|
|
|
|
|
| |