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1. |
Record Nr. |
UNINA9910697488703321 |
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Autore |
Skinner K. D (Kenneth D.) |
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Titolo |
Estimating streambed seepage using heat as a tracer on the lower Boise River, Canyon County, Idaho [[electronic resource] /] / by Kenneth D. Skinner ; prepared in cooperation with Idaho Department of Environmental Quality and Lower Boise River Water Quality Plan, Inc |
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Pubbl/distr/stampa |
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Reston, Va. : , : U.S. Dept. of the Interior, U.S. Geological Survey, , 2006 |
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Descrizione fisica |
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v, 16 pages : digital, PDF file |
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Collana |
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Scientific investigations report ; ; 2005-5215 |
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Soggetti |
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Seepage - Idaho - Boise River |
Groundwater flow - Idaho - Canyon County |
Nutrient pollution of water - Idaho - Boise River |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from PDF title screen (viewed on Feb. 16, 2006). |
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Nota di bibliografia |
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Includes bibliographical references. |
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2. |
Record Nr. |
UNINA9910148770303321 |
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Autore |
Itäranta Emmi <1976-> |
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Titolo |
City of Woven Streets |
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Pubbl/distr/stampa |
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ISBN |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Musica |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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'Where itaranta shines is in her understated but compelling characters' Red star review (for MEMORY OF WATER), Publishers Weekly.The tapestry of life may be more fragile than it seems: pull one thread, and all will unravel.In the City of Woven Streets, human life has little value. You practice a craft to keep you alive, or you are an outcast, unwanted and tainted. Eliana is a young weaver in the House of Webs, but secretly knows she doesn't really belong there. She is hiding a shameful birth defect that would, if anyone knew about it, land her in the House of the Tainted, a prison for those whose very existence is considered a curse.When an unknown woman with her tongue cut off and Eliana's name tattooed on her skin arrives at the House of Webs, Eliana discovers an invisible network of power behind the city's facade. All the while, the sea is clawing the shores and the streets are slowly drowning. |
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3. |
Record Nr. |
UNINA9910840477203321 |
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Autore |
Amborn, Hermann |
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Titolo |
Il diritto anarchico dei popoli senza stato / Hermann Amborn ; prefazione di Thom Holterman |
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Pubbl/distr/stampa |
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Milano, : Elèuthera, 2021 |
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ISBN |
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Descrizione fisica |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Traduzione dal tedesco di Nino Muzzi ; traduzione dal francese dell'Introduzione all'ed. italiana di Anita Borella |
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4. |
Record Nr. |
UNINA9910968659503321 |
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Autore |
Cameron Sharon |
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Titolo |
Impersonality : seven essays / / Sharon Cameron |
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Pubbl/distr/stampa |
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Chicago, : University of Chicago Press, 2007 |
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ISBN |
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9786612426216 |
9781282426214 |
1282426214 |
9780226091334 |
0226091333 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (281 p.) |
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Disciplina |
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Soggetti |
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American literature - History and criticism |
Self in literature |
Identity (Psychology) in literature |
Persona (Literature) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 205-245) and index. |
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Nota di contenuto |
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Introduction by way of William Empson's Buddha faces -- What counts as love : Jonathan Edwards's "True virtue" -- Representing grief : Emerson's "Experience" -- The way of life by abandonment : Emerson's Impersonal -- The practice of attention : Simone Weil's Performance of impersonality -- "The sea's throat" : T. S. Eliot's Four quartets -- "Lines of stones" : the unpersonified impersonal in Melville's Billy Budd. |
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Sommario/riassunto |
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Philosophers have long debated the subjects of person and personhood. Sharon Cameron ushers this debate into the literary realm by considering impersonality in the works of major American writers and figures of international modernism-writers for whom personal identity is inconsequential and even imaginary. In essays on William Empson, Jonathan Edwards, Ralph Waldo Emerson, Herman Melville, T. S. Eliot, and Simone Weil, Cameron examines the impulse to hollow out the core of human distinctiveness, to construct a voice that is no one's voice, to fashion a character without meaningful attributes, a being that is virtually anonymous. "To consent to being anonymous," Weil wrote, |
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"is to bear witness to the truth. But how is this compatible with social life and its labels?" Throughout these essays Cameron examines the friction, even violence, set in motion from such incompatibility-from a "truth" that has no social foundation. Impersonality investigates the uncompromising nature of writing that suspends, eclipses, and even destroys the person as a social, political, or individual entity, of writing that engages with personal identity at the moment when its usual markers vanish or dissolve. |
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