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Record Nr. |
UNINA9910838386603321 |
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Autore |
Caminada Lucía |
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Titolo |
La Mirada Dislocada : Literatura, Imagen, Territorios |
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Pubbl/distr/stampa |
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Buenos Aires : , : Prometeo Libros S. A., , 2022 |
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©2021 |
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ISBN |
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Descrizione fisica |
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1 online resource (301 pages) |
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Soggetti |
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Literature and photography |
Avant-garde (Aesthetics) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Intro -- ÍNDICE -- AGRADECIMIENTOS -- INTRODUCCIÓN -- PARTE I Figura -- PREFACIO / LA PROPUESTA -- LA MIRADA DISLOCADA -- ENTRE LITERATURA E IMAGEN Imágenes mental, poética,táctil y corporal -- A. Imagen mental -- Imagen pensativa -- B. Imagen-poética -- C. Imagen-táctil -- Imagen-contacto y le toucher:13 Tocar, mirar -- D. Imagen corporal -- LA METÁFORA LITERARIANarrativas como territorios -- PARTE II Figura -- LITERATURA, FOTOGRAFÍA Y CINE -- LA MIRADA Y SUS MUTACIONES -- PARTE III -- TERRITORIOS DE EXPERIMENTACIÓNFigura -- EL SURREALISMO Y ANDRÉ BRETON -- NADJA: LA IMPRONTA DE LA IMAGEN,LOS RASTROS DE LA PALABRA -- TERRITORIOS POÉTICOS -- PARTE IV -- TERRITORIOS DEL NOSTOSFigura -- PARTE V -- TERRITORIOS CORPORALES -- REFLEXIONES FINALES -- TABLA DE FIGURAS* -- BIBLIOGRAFÍA. |
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Sommario/riassunto |
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Lucía Caminada's 'La mirada dislocada: Literatura, imagen, territorios' examines the interplay between literary texts and visual images, exploring how they intersect to create dialogues and tensions. The book delves into the evolution of narrative forms influenced by photography and cinema, particularly through the lens of avant-garde movements. It reflects on how perception and vision are influenced by both visible and invisible experiences, using the works of authors like André Breton, Julio Cortázar, and W.G. Sebald to illustrate these concepts. Caminada, an academic with a rich background in Cultural |
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Studies, brings her expertise to explore how images and texts coalesce, challenging traditional boundaries between literary and visual arts. This scholarly exploration is intended for an audience interested in cultural studies, literary theory, and visual anthropology. |
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