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Record Nr. |
UNINA9910838293203321 |
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Autore |
Eckert Lindsey |
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Titolo |
The Limits of Familiarity : Authorship and Romantic Readers |
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Pubbl/distr/stampa |
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New Brunswick : , : Bucknell University Press, , 2022 |
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©2022 |
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ISBN |
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9781684483945 |
9781684483914 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (259 pages) |
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Collana |
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Transits: Literature, Thought and Culture 1650-1850 |
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Disciplina |
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Soggetti |
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Books and reading - Great Britain - History - 18th century |
Fame - Social aspects - Great Britain - History - 18th century |
Authors and readers - Great Britain - History - 18th century |
Romanticism - England |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- ABBREVIATIONS -- INTRODUCTION Familiarity’s “due bounds” -- 1 CHARLOTTE SMITH, WILLIAM WORDSWORTH, AND THE PROBLEMS OF READING FAMILIARITY -- 2 “THOUGH A STRANGER TO YOU” Byron’s Poetics of Familiarity and Readerly Attachment -- 3 LADY CAROLINE LAMB’S FEMALE FOLLIES AND THE DANGERS OF FAMILIARITY -- 4 “THE WHOLE CURSED STORY” William Hazlitt’s Familiar Style -- 5 MEDIATING A MANUSCRIPT ETHOS Familiarity in Albums and Literary Annuals -- CODA Lifting “the film of familiarity” -- NOTES -- BIBLIOGRAPHY -- INDEX -- ABOUT THE AUTHOR |
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Sommario/riassunto |
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"What did Wordsworth wear, and where did he walk? Who was Byron's new mistress, and how did his marriage fare? Answers-sometimes accurate, sometimes not-were tantalizingly at the ready for Romantic-era readers. Confessional poetry, romans à clef, personal essays, gossip columns, and more gave readers exceptional access to well-known authors. But how close was too close? Widely recognized as a social virtue, familiarity-a feeling of emotional closeness or comforting predictability-could also be dangerous, vulgar, or boring. In The Limits |
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of Familiarity, Eckert argues that these questions influenced literary production in the Romantic period. Uniting reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the line between telling all and telling all too much"-- |
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