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Record Nr. |
UNINA9910838193503321 |
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Autore |
Bühlmann Vera |
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Titolo |
Architectonics Books. The Digital, a Continent? : Nature and Poetics / / Vera Bühlmann; ed. by Ludger Hovestadt, Vera Bühlmann |
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Pubbl/distr/stampa |
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Basel : , : Birkhäuser, , [2023] |
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2024 |
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ISBN |
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Descrizione fisica |
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1 online resource (532 p.) |
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Collana |
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Applied Virtuality Book Series , , 2196-3118 ; ; 22 |
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Soggetti |
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ARCHITECTURE / Study & Teaching |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Contents -- Acknowledgements -- Instead of a Preface, a Frontispiece -- Incipit, a Chord -- Tempered in the Time of the Analemma -- Didascalicon -- Digital Ekphrasis -- The Digital, a Continent? -- Cosmoliteracy and Anthropography -- Statuesque Words in Locum Tenens: Cornucopian Instruments, Lieu-tenants of Statements -- Photosynthesis: Cosmic Convivia of Meteora Alloys -- The Alphabetic Absolute -- Capital Bodies: Secrets of the Universe -- In Medias Naturae -- The Instrumentation of Space: Time, Cosmos, Politics -- Entwurf of the Method and Ethics of its Discourse: Cartesianism Reconsidered -- Once Upon the Autonomy of Words -- Bibliography |
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Sommario/riassunto |
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Die Autorin erörtert eine Denkweise über digitale Technik, die sich auf den neuen Materialismus stützt. The Digital, a Continent? verwendet dabei beispielhaft die Photosynthese und die Kernspaltung als ebenso künstliche wie natürliche Prozesse, um zu erklären, wie die digitale Technik im Paradigma einer "kommunikativen Physik" gesehen werden kann und in der Poetik mit mathematischem Denken zusammenspielt. Die Autorin schlussfolgert, dass wir uns selbst und die digitale Technik besser verstehen können, wenn wir Vorstellungen davon entwickeln, wie Energie, Form und Intellekt in einer Architektonik von Welt in vielfältiger Weise zusammenspielen. Theoretische Betrachtung der digitalen Technik Bildliche Sprache und Naturwissenschaft Neuer Band der Reihe Applied Virtuality Book Series |
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In The Digital, a Continent?, the author argues in favor of a way of thinking about digital technology that draws on the new materialism. She uses photosynthesis and nuclear fission as examples of processes that are as artificial as they are natural to explain how digital technology can be viewed within the paradigm of a "communicative physics" in which poetics interacts with mathematical thinking. The author concludes that we can better understand ourselves and digital technology by developing notions of the multifaceted ways energy, form, and intellect interact in global architectonics. Theoretical consideration of digital technology Visual language and science New volume in the Applied Virtuality Book Series |
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