1.

Record Nr.

UNINA9910831851403321

Autore

Stoicea Gabriela <p>Gabriela Stoicea, Clemson University, USA </p>

Titolo

Fictions of Legibility : The Human Face and Body in Modern German Novels from Sophie von La Roche to Alfred Döblin / Gabriela Stoicea

Pubbl/distr/stampa

Bielefeld, : transcript Verlag, 2020

ISBN

9783839447208

3839447208

Edizione

[1st ed.]

Descrizione fisica

1 online resource (200 p.)

Collana

Lettre

Disciplina

809.933561

Soggetti

German Novels

European Fiction

Physiognomy In Literature

Facial Expression In Literature

Human Body In Literature

Body Language In Literature

Literature

Body

Cultural History

German Literature

Racism

Literary Studies

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references (pages 175-187) and index.

Nota di contenuto

Frontmatter    1 Contents    5 Acknowledgments    7 Introduction    9 Historical Background    21 The Body in Perspective: Sophie von La Roche's Geschichte des Fräuleins von Sternheim (1771)    49 Historical Background    83 The Body as "Versable" Type: Friedrich Spielhagen's Zum Zeitvertreib (1897)    107 The Soul-Stripped Body: Alfred Döblin's Berlin Alexanderplatz (1929)    133 Conclusions    171 Bibliography    175 Index    189

Sommario/riassunto

Gabriela Stoicea examines how the incidence and role of physical descriptions in German novels changed between 1771 and 1929 in response to developments in the study of the human face and body. As



well as engaging the tools and methods of literary analysis, the study uses a cultural studies approach to offer a constellation of ideas and polemics surrounding the readability of the human body. By including discussions from the medical sciences, epistemology, and aesthetics, the book draws out the multi-faceted permutations of corporeal legibility, as well as its relevance for the development of the novel and for facilitating inter-disciplinary dialogue.

Besprochen in:Monatshefte, 115/1 (2023), Armin Schäfer