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1. |
Record Nr. |
UNIPARTHENOPE000014598 |
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Autore |
Campanella, Francesco |
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Titolo |
L'economia neoclassica / Francesco Campanella |
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Pubbl/distr/stampa |
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Titolo uniforme |
L'economia neoclassica |
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Descrizione fisica |
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Collana |
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Testi scientifici modulari , Serie di economia |
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Disciplina |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996465542003316 |
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Titolo |
Advances in Software Engineering [[electronic resource] ] : Lipari Summer School 2007, Lipari Island, Italy, July 8-21, 2007, Revised Tutorial Lectures / / edited by Egon Börger, Antonio Cisternino |
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Pubbl/distr/stampa |
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Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2008 |
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ISBN |
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Edizione |
[1st ed. 2008.] |
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Descrizione fisica |
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1 online resource (VII, 277 p.) |
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Collana |
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Programming and Software Engineering ; ; 5316 |
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Classificazione |
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Disciplina |
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Soggetti |
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Software engineering |
Programming languages (Electronic computers) |
Computer programming |
Software Engineering/Programming and Operating Systems |
Programming Languages, Compilers, Interpreters |
Software Engineering |
Programming Techniques |
Kongress. |
Lipari (2007) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Foundations and Methodology -- The Name and Nature of Software Engineering -- A Modeling Language for Program Design and Synthesis -- A Method for Verifiable and Validatable Business Process Modeling -- SOA and Web Services -- Service Oriented Architecture: Overview and Directions -- A Guided Tour through SAVVY-WS: A Methodology for Specifying and Validating Web Service Compositions -- Software Technology -- Software Manipulation with Annotations in Java -- Zero-Overhead Composable Aspects for .NET -- Technologies for Evolvable Software Products: The Conflict between Customizations and Evolution -- Security -- Security in Distributed Applications. |
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Sommario/riassunto |
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This tutorial presents a collection of research papers on themes discussed at the Lipari Summer School on Advances in Software Engineering, held on Lipari Island, Italy, in July 2007. It was the 19th in a well-known series of annual international schools, addressed at computer science researchers. The courses dealt with domain and requirements engineering, high-level modelling, software product line techniques, evolvable software, the evolution of service-oriented software architectures, Web services, and security in such evolving distributed systems. The nine revised full papers presented were carefully reviewed and selected by 21 reviewers. The papers are organized in topical sections on foundations and methodology, service oriented architecture and web services, software technology, and security. This book is written with the intent to produce a state-of-the-art compendium of recent advances in software engineering. |
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3. |
Record Nr. |
UNINA9910831845303321 |
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Autore |
Cull Ó Maoilearca Laura |
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Titolo |
The Routledge companion to performance philosophy / / edited by Laura Cull Ó Maoilearca and Alice Lagaay |
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Pubbl/distr/stampa |
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Taylor & Francis, 2020 |
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London : , : Routledge, , 2020 |
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ISBN |
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9781003035312 |
1003035310 |
9781000056914 |
1000056910 |
9781000056891 |
1000056899 |
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Edizione |
[1st.] |
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Descrizione fisica |
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1 online resource (xxv, 463 pages) |
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Collana |
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Routledge theatre and performance companions |
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Disciplina |
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Soggetti |
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Performing arts - Philosophy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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<P>Introduction; Laura Cull Ó Maoilearca & Alice Lagaay; Part 1: Genealogies, Contexts & Traditions; 1. Suddenly the philosopher enters the stage Ira Avneri & Freddie Rokem; 2. Theravādin Buddhist Philosophy and Practice in Relation to Performance Jerri Daboo; 3. Performance Philosophy and Spirituality: The Way of Tasawwuf; Michael Ellison & Hannah McClure; 4. Whose Tempest? Performance Philosophy and/as Decolonial Cacophony; Andrés Fabián Henao Castro; 5. The Playwright as Thinker: Modern Drama and Performance Philosophy David Kornhaber; 6. Performance Philosophy seen through Nishida's 'Acting Intuition'; Mayuko Uehara & Elisabeth Belgrano; 7. Performance in Anglo-American Philosophy Anna Pakes & David Davies; 8. Performance Philosophy in Latin America -- How to Perform a Utopia called America?; Luciana Dias; 9. Diminishing Returns. On the performativity of musical sound Anthony Gritten; 10. The Philosophy of Mediality Jörg Sternagel, Elisabeth Schäfer & Volkmar Mühleis; 11. The Theatre of Research Anke Haarmann; Part 2: Questions & Debates; 12. Opening the Circle, Towards a Radical Equality: Performance Philosophy |
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& Animals Laura Cull Ó Maoilearca; 13. Performance Philosophy as Inter-philosophical Dialogue Cosimo Zene; 14. Decolonising Performance Philosophies Melissa Blanco Borelli, Anamaría Tamayo-Duque & Cristina Fernandes Rosa; 15. Theatre-thinking: philosophy from the stage Flore Garcin-Marrou; 16. Philosophy and Theatre: Incestuous Beginnings, Looking Daggers and other Dangerous Liaisons Emmanuel Alloa & Sophie-Thérèse Krempl; 17. Aesthetics of the Invisible: Presence in Indian Performance Theory Sreenath Nair; Part 3: Methods, Techniques, Genres & Forms; 18. Performing Phenomenological Methodology Maxine Sheets-Johnstone; 19. Daring to transform academic routines Jörg Holkenbrink & Anna Seitz; 20. Resonance of Two Karen Christopher; 21. Lying Fallow Rajni Shah; 22. Play in Performance Philosophy Alice Koubová; 23. Landscape performance Tess Denman-Cleaver; 24. Re-telling the self: the lived experience of modern yoga practice Theodora Wildcroft; 25. The Think Tank: Institution as Performance Sonya Dyer; 26. Touch Naomi Woo; 27. In-Between: A Methodology of Performative Philosophy Eva Maria Gauss & Katrin Felgenhauer; 28. Africanist choreography as cultural citizenship 'Funmi Adewole; Part 4: Figures; 29. Rūmī Will Daddario; 30. Adrian Piper Lauren Fournier; 31. Diogenes Yunus Tuncel; 32. A dice-thrower Mischa Twitchin; 33. Hélène Cixous/Ariane Mnouchkine Elisabeth Schäfer, Esther Hutfless & Gertrude Postl; 34. Roger Federer Einav Katan-Schmid; 35. John Cage Anthony Gritten; 36. Confucius Mi You; 37. Rudolf Laban Juliet Chambers-Coe; Part 5: Performance as Philosophy & Philosophy as Performance; 38. Theatre As If Theory Yelena Gluzman & Esther Neff; 39. Dance as Embodied Ethics Aili Bresnahan, Einav Katan-Schmid, & Sara Houston; 40. Philosophy on Stage Arno Böhler & Suzanne Granzer; 41. Pas de Deux: Écriture Féminine Performative Tina Chanter & Tawny Andersen; 42. Onanism, Handjobs, Smut: Performances of Self-valorization Fumi Okiji; 43. Explosions of 'Creative Indifference'. Salomo Friedlaender, Sun Ra, Serendipity and the Idea of a 'Heliocentre' Alice Lagaay in conversation with Hartmut Geerken; 44. In the Making -- an incomplete consideration of the first decade of Every house has a door 2008 to 2018 as performance philosophy Will Daddario, Matthew Goulish & Lin Hixson; 45. Blackout: thinking with darkness Tru Paraha & Theron Schmidt; Index</P> |
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Sommario/riassunto |
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The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field. Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity -as the production of ideas, bodies and knowledges -in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how performance operates across art, philosophy and everyday life. The collection both contributes to and critiques the philosophy of music, dance, theatre and performance, exploring the idea of a philosophy from the arts. It is crucial reading material for those interested in the hierarchy of the relationship between philosophy and the arts, advancing debates on philosophical method, and the relation between Performance and Philosophy more |
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