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1. |
Record Nr. |
UNISA990001067980203316 |
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Autore |
MANGONE, Emiliana |
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Titolo |
Il nemico totale : un'ipotesi sul fenomeno del terrorismo / Emiliana Mangone |
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Pubbl/distr/stampa |
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Angri : Calamos edizioni, copyr. 2001 |
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ISBN |
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Descrizione fisica |
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Disciplina |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996466688503316 |
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Autore |
Barchielli Alberto |
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Titolo |
Quantum Trajectories and Measurements in Continuous Time [[electronic resource] ] : The Diffusive Case / / by Alberto Barchielli, Matteo Gregoratti |
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Pubbl/distr/stampa |
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Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2009 |
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ISBN |
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1-280-38489-1 |
9786613562814 |
3-642-01298-1 |
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Edizione |
[1st ed. 2009.] |
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Descrizione fisica |
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1 online resource (XIV, 325 p. 30 illus.) |
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Collana |
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Lecture Notes in Physics, , 0075-8450 ; ; 782 |
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Classificazione |
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Disciplina |
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Soggetti |
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Optics |
Electrodynamics |
Applied mathematics |
Engineering mathematics |
Quantum physics |
Physics |
Quantum optics |
Statistical physics |
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Dynamical systems |
Classical Electrodynamics |
Applications of Mathematics |
Quantum Physics |
Mathematical Methods in Physics |
Quantum Optics |
Complex Systems |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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I General theory -- The Stochastic Schr#x00F6;dinger Equation -- The Stochastic Master Equation: Part I -- Continuous Measurements and Instruments -- The Stochastic Master Equation: Part II -- Mutual Entropies and Information Gain in Quantum Continuous Measurements -- II Physical applications -- Quantum Optical Systems -- A Two-Level Atom: General Setup -- A Two-Level Atom: Heterodyne and Homodyne Spectra -- Feedback. |
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Sommario/riassunto |
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This course-based monograph introduces the reader to the theory of continuous measurements in quantum mechanics and provides some benchmark applications. The approach chosen, quantum trajectory theory, is based on the stochastic Schrödinger and master equations, which determine the evolution of the a-posteriori state of a continuously observed quantum system and give the distribution of the measurement output. The present introduction is restricted to finite-dimensional quantum systems and diffusive outputs. Two appendices introduce the tools of probability theory and quantum measurement theory which are needed for the theoretical developments in the first part of the book. First, the basic equations of quantum trajectory theory are introduced, with all their mathematical properties, starting from the existence and uniqueness of their solutions. This makes the text also suitable for other applications of the same stochastic differential equations in different fields such as simulations of master equations or dynamical reduction theories. In the next step the equivalence between the stochastic approach and the theory of continuous measurements is demonstrated. To conclude the theoretical exposition, the properties of the output of the continuous measurement are analyzed in detail. This is a stochastic process with its own distribution, and the reader will learn how to compute physical quantities such as its moments and its spectrum. In particular this last concept is introduced with clear and explicit reference to the measurement process. The two-level atom is used as the basic prototype to illustrate the theory in a concrete application. Quantum phenomena appearing in the spectrum of the fluorescence light, such as Mollow’s triplet structure, squeezing of the fluorescence light, and the linewidth narrowing, are presented. Last but not least, the theory of quantum continuous measurements is the natural starting point to develop a feedback control theory in continuous time for quantum systems. The two-level atom is again used to introduce and study an example of feedback based on the observed output. |
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3. |
Record Nr. |
UNINA9910831592003321 |
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Autore |
Preiß Cecilia Mareike Carolin (Ruhr-Universität Bochum, Deutschland) |
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Titolo |
Kunst mit allen Sinnen : Multimodalität in zeitgenössischer Medienkunst / Cecilia Mareike Carolin Preiß |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2021 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (289 pages) |
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Collana |
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Das Dokumentarische. Exzess und Entzug ; 4 |
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Classificazione |
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Disciplina |
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Soggetti |
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Medien; Kunst; Multimodalität; Embodiment; Dokumentation; Körper; Sinne; Ästhetik; Medienkunst; Medientheorie; Medienästhetik; Medienwissenschaft; Media; Art; Multimodality; Documentary; Body; Senses; Aesthetics; Media Art; Media Theory; Media Aesthetics; Media Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Cover -- Inhalt -- Einleitung -- Grundlagen -- 1. Multimodalität: Eine Begriffsbestimmung -- 1.1 Perzeptuelle Multimodalität -- 1.2 Referenzielle Multimodalität -- 1.3 Partizipatorische Multimodalität -- 1.4 Semiotische Multimodalität -- 2. Die Faszinationsfigur Synästhesie: Eine kunsthistorische Verortung -- 3. Biofiktion: Verfahren und Semantiken des Perspektivwechsels -- 3.1 Biofiktion I (Das Dokumentarische) -- 3.2 Biofiktion II (Artistic Research) -- 3.3 Biofiktion III (Becoming) -- 4. Interfaces in zeitgenössischer Kunst -- 4.1 Das Interface in der Kunstproduktion -- 4.2 Das Interface in der Kunstvermittlung -- 4.3 Interfacekunst -- Materialien -- 5. Osmose - der ›Prototyp‹ des VR-Environments -- 5.1 Zugangsmodalitäten -- 5.2 Der virtuelle Tauchgang -- 5.3 Verkörpert/Entkörpert: Zur Rezeption im Virtuellen -- 5.4 Dokumentieren 2.0 -- 5.5 Distanzierende Annäherung -- 6. Inside Tumucumaque - die VR-Installation -- 6.1 Interdisziplinäres Produzieren -- 6.2 Ausstellungssetting ZKM 2018 -- 6.3 Modi und Rezipient:innenkörper I - ›What is it like to be a bat?‹ -- 6.4 Dokumentieren 2.0 -- 7. In the Eyes of the Animal - die AR-Installation -- 7.1 Ausstellungssetting AND Festival 2015 -- 7.2 Modi und Rezipient:innenkörper II - ›What is it like to be a dragonfly?‹ -- 7.3 |
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Techniken der Augmentierung: »A speculation of an alternative reality« -- 7.4 Dokumentieren 2.0 -- 8. Au‐delà des limites - die Smart Surface Installation -- 8.1 Ausstellungssetting Halle de la Villette 2018 -- 8.2 Der Großbild-Immersionsraum -- 8.3 Multimodalität -- 8.4 Dokumentieren 2.0 -- Themen -- 9. Der Wald als virtuelle Szenerie -- 9.1 Politisch-ökonomische Konnotation -- 9.2 Ästhetische Konnotation -- 9.3 Ökologische und soziale Konnotation -- 9.4 Der Wald in den virtuellen Realitäten des Materialkorpus. |
10. Kunst durch Störung - Störung durch Kunst -- 11. Der Körper in virtueller Medienkunst -- 11.1 Physiologisierung der Kunst -- 11.2 Performative Rezeption - Rezipierende Performanz -- 11.3 Der verteilte Körper. Von Embodiment und Agency -- 11.4 Körperliche Synchronisation, Relation und Identifikation -- 11.5 Multimodaler und Biofiktionaler Körper -- 12. Multimodale RückBeSinnung -- 12.1 Die Empathie-Maschine -- 12.2 Biofiktionale Bedrohungsszenarien -- 12.3 Das empathische Missverständnis oder die RückBeSinnung -- 13. Das Dokumentarische in zeitgenössischer multimodaler Medienkunst -- 13.1 Dokumentarische Operationen -- 13.2 Das Potenzial der Krise -- Exkurs. »Can we accelerate human evolution?« -- Fazit -- Dank -- Literaturverzeichnis -- VR-Projekte -- Abbildungsverzeichnis. |
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Sommario/riassunto |
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Die in diesem Buch vorgenommene Auseinandersetzung mit den Sinnen in der Kunst entfaltet sich an der Schnittstelle von Medien- und Kunstwissenschaft. Entgegen der Auffassung, dass in virtuellen Räumen Körperlichkeit und die Vielfalt sinnlicher Wahrnehmung an Bedeutung verlieren, deuten aktuelle Beispiele der Medienkunst in eine andere Richtung. Kunst löst sich hierbei vom Objekt und wandert auf die interagierenden Körper der Rezipient:innen. Wenn deren ephemere sensomotorische Erfahrung zum eigentlichen künstlerischen Gegenstand wird, kommen neue Praktiken des Dokumentarischen ins Spiel. Cecilia Preiß geht der Konjunktur der Multimodalität in zeitgenössischer digitaler Medienkunst auf den Grund. |
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