1.

Record Nr.

UNINA9910830585903321

Titolo

Art and thought [[electronic resource] /] / edited by Dana Arnold and Margaret Iversen

Pubbl/distr/stampa

Malden, MA, : Blackwell Pub., c2003

ISBN

1-281-31123-5

9786611311230

0-470-70430-6

0-470-77419-3

0-470-77733-8

Descrizione fisica

1 online resource (242 p.)

Collana

New interventions in art history ; ; 1

Altri autori (Persone)

ArnoldDana

IversenMargaret

Disciplina

701

Soggetti

Arts - History

Arts - Philosophy

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. [209]-215) and index.

Nota di contenuto

Aristotle, Titian and tragic painting / Thomas Puttfarken -- Wax, brick and bread : apotheosis of matter and meaning in seventeenth-century philosophy and painting / Jay Bernstein -- Kant and aesthetic imagination / Michael Podro -- Meaning, identity, embodiment : the uses of Merleau-Ponty's phenomenology in art history / Amelia Jones -- Art works, utterances and things / Alex Potts -- Art and the ethical : modernism and the problem of minimalism / Jonathan Vickery -- Does are think? How can we think the feminine, aesthectically? / Griselda Pollock -- What was postminimalism? / Stephen Melville -- Museum as work in the age of technological display : reading Heidegger through Tate Modern / Diarmuid Costello -- Eyes wide shut : some considerations thought and art / Adrian Rifkin.

Sommario/riassunto

Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought.:.; Brings together newly commissioned essays that explore the relationship between the discipline of art history and movements in the history of



western thought.; Considers the impact of the writings of key thinkers, including Aristotle, Kant, and Heidegger, on the way in which objects are perceived and understood and histories of art are constructed, deconstructed, and reconfigured according to varying sets