1.

Record Nr.

UNINA9910828566003321

Autore

Oslund Karen

Titolo

Iceland imagined : nature, culture, and storytelling in the North Atlantic / / Karen Oslund ; foreword by William Cronon

Pubbl/distr/stampa

Seattle, : University of Washington Press, c2011

ISBN

0-295-80299-5

Edizione

[1st ed.]

Descrizione fisica

1 online resource (279 p.)

Collana

Weyerhaeuser environmental books

Altri autori (Persone)

CrononWilliam

Disciplina

949.12

Soggetti

Human ecology - Iceland

Natural history - Iceland

Ethnology - Iceland

Folklore - Iceland

Iceland Social life and customs

Iceland Description and travel

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Contents; Map 1. The North Atlantic; Map 2. Iceland; Map 3. Greenland; Map 4. The Faroe Islands; Foreword: Amid the Mists of Northern Waters and Words; Acknowledgments; 1. Icelandic Landscapes; 2. Nordic by Nature; 3. Mastering the World's Edges; 4. Translating and Converting; 5. Reading Backward; Epilogue: Whales and Men; Notes; Bibliography; Index

Sommario/riassunto

"Iceland, Greenland, Northern Norway, and the Faroe Islands lie on the edges of Western Europe, in an area long portrayed by travelers as remote and exotic - its nature harsh, its people reclusive. Since the middle of the eighteenth century, however, this marginalized region has gradually become part of modern Europe, a transformation that is narrated in Karen Oslund's Iceland Imagined. This cultural and environmental history sweeps across the dramatic North Atlantic landscape, exploring its unusual geography, saga narratives, language, culture, and politics, and analyzing its emergence as a distinctive and symbolic part of Europe. The earliest visions of a wild frontier, filled with dangerous and unpredictable inhabitants, eventually gave way to images of beautiful, well-managed lands, inhabited by simple but



virtuous people living close to nature.

This transformation was accomplished by state-sponsored natural histories of Iceland which explained that the monsters described in medieval and Renaissance travel accounts did not really exist, and by artists who painted the Icelandic landscapes to reflect their fertile and regulated qualities. Literary scholars and linguists who came to Iceland and Greenland in the nineteenth century related the stories and the languages of the "wild North" to those of their home countries."--Publisher.