1.

Record Nr.

UNINA9910828354703321

Titolo

The lyric poem : formations and transformations / / edited by Marion Thain, Sheffield University [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 2013

ISBN

1-107-70251-8

1-139-89053-0

1-316-61971-0

1-107-68808-6

1-107-70357-3

0-511-86320-9

1-107-59793-5

1-107-66524-8

Descrizione fisica

1 online resource (ix, 256 pages) : digital, PDF file(s)

Disciplina

809.1/4

Soggetti

Lyric poetry - History and criticism

Lyric poetry - Themes, motives

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction / Marion Thain -- 'Words for music, perhaps': early modern songs and lyric / David Lindley -- Neither here nor there: deixis and the sixteenth-century sonnet / Heather Dubrow -- 'Trewly wrote': manuscript, print and the lyric in the early seventeenth century / Thomas Healy -- Lyric and the English revolution / Nigel Smith -- Modulation and expression in the lyric ode, 1660-1750 / David Fairer -- Eighteenth-century high lyric: William Collins and Christopher Smart / Marcus Walsh -- The retuning of the sky: Romanticism and lyric / David Duff -- Victorian lyric pathology and phenomenology / Marion Thain -- Modernism and the limits of lyric / Peter Nicholls -- The lyric 'I' in late-twentieth-century English poetry / Neil Roberts -- No man is an I: recent developments in the lyric / Ian Patterson -- Afterword / Jonathan Culler.

Sommario/riassunto

As a study of lyric poetry, in English, from the early modern period to



the present, this book explores one of the most ancient and significant art forms in Western culture as it emerges in its various modern incarnations. Combining a much-needed historicisation of the concept of lyric with an aesthetic and formal focus, this collaboration of period-specialists offers a new cross-historical approach. Through eleven chapters, spanning more than four centuries, the book provides readers with both a genealogical framework for the understanding of lyric poetry within any particular period, and a necessary context for more general discussion of the nature of genre.