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Record Nr. |
UNINA9910827965903321 |
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Autore |
Paul Louis |
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Titolo |
Italian horror film directors / / Louis Paul ; with forewords by Jess Franco and Antonella Fulchi ; cover art by Mark Durr |
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Pubbl/distr/stampa |
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Jefferson, North Carolina ; ; London, [England] : , : McFarland & Company, Inc., Publishers, , 2005 |
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©2005 |
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ISBN |
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Descrizione fisica |
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1 online resource (377 p.) |
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Disciplina |
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791.4302/33/092245 |
791.430233092245 |
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Soggetti |
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Horror films - Italy - History and criticism |
Motion picture producers and directors - Italy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Table of Contents; The Leading Horror Film Directors; Foreword by Jess Franco; Foreword by Antonella Fulci; Preface; Introduction: The Evolution of the Italian Horror Film; Dario Argento; Lamberto Bava; Mario Bava; Ruggero Deodato; Lucio Fulci; Umberto Lenzi; Antonio Margheriti; Aristide Massaccesi; Bruno Mattei; Michele Soavi; Other Significant Horror Film Directors; Marcello Avallone; Pupi Avati; Mariano Baino; Francesco Barilli; Sergio Bergonzelli; Giulio Berruti; Andrea Bianchi; Mario Bianchi (Montero); Antonio Bido; Antonio Boccaci; Giuliano Carnimeo; Mario Colucci; Luigi Cozzi |
Armando CrispinoMassimo Dallamano; Damiano Damiani; Fabrizio De Angelis; Alberto De Martino; Rino Di Silvestro; Giorgio Ferroni; Al Festa; Riccardo Freda; Mario Gariazzo; Gianfranco Giagni; Enzo Girolami; Marino Girolami; Aldo Lado; Mario Landi; Sergio Martino; Stelvio Massi; Camillo Mastrocinque; Emilio Miraglia; Sergio Pastore; Renato Polselli; Massimo Pupillo; Giulio Questi; Piero Regnoli; Mario Siciliano; Paolo Solvay; Epilogue: The Future of Italian Horror Films; Appendix; Bibliography; Index |
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Sommario/riassunto |
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There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda's I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length |
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ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences bo |
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