1.

Record Nr.

UNINA9910827841503321

Autore

Goodman Steve

Titolo

Sonic warfare : sound, affect, and the ecology of fear / / Steve Goodman

Pubbl/distr/stampa

Cambridge, Mass., : MIT Press, c2010

ISBN

0-262-26633-4

1-282-54179-X

9786612541797

0-262-25883-8

Edizione

[1st ed.]

Descrizione fisica

xx, 270 p

Collana

Technologies of lived abstraction

Disciplina

781/.1

Soggetti

Music - Acoustics and physics

Music - Social aspects

Music - Philosophy and aesthetics

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Intro -- Contents -- Series Foreword -- Acknowledgments -- Introduction -- 1: 1998: A Conceptual Event -- 2: 2001: What Is Sonic Warfare? -- 3: 2400-1400 B.C.: Project Jericho -- 4:  1946: Sonic Dominance -- 5:  1933: Abusing the Military- Entertainment Complex -- 6:  403-221 B.C.: The Logistics of Deception -- 7:  1944: The Ghost Army -- 8:  1842: Sonic Effects -- 9:  1977: A Sense of the Future -- 10:  1913: The Art of War in the Art of Noise -- 11:  1989: Apocalypse Then -- 12:  1738: Bad Vibrations -- 13:  1884: Dark Precursor -- 14:  1999: Vibrational Anarchitecture -- 15:  13.7 Billion B.C.: The Ontology of Vibrational Force -- 16:  1931: Rhythmanalysis -- 17:  1900: The Vibrational Nexus -- 18:  1929: Throbs of Experience -- 19:  1677: Ecology of Speeds -- 20:  99-50 B.C.: Rhythm out of Noise -- 21:  1992: The Throbbing Crowd -- 22:  1993: Vorticist Rhythmachines -- 23:  1946: Virtual Vibrations -- 24:  2012: Artificial  Acoustic Agencies -- 25:  1877: Capitalism and Schizophonia -- 26:  1976: Outbreak -- 27:  1971: The Earworm -- 28:  2025: Déjà Entendu -- 29:  1985: Dub Virology -- 30:  1928: Contagious Orality -- 31:  2020: Planet of Drums -- 32:  2003: Contagious Transmission -- 33:  2039: Holosonic



Control -- 34:  Conclusion: Unsound-The (Sub)Politicsof Frequency -- Glossary -- Notes -- References -- Index.

Sommario/riassunto

"Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations." "Most theoretical discussions of sound and music cultures in relationship to power, Goodman argues, have a missing dimension: the politics of frequency. Goodman supplies this by drawing a speculative diagram of sonic forces, investigating the deployment of sound systems in the modulation of affect. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture." "Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths."--Jacket.