Performing consciousness / / edited by Per Brask and Daniel Meyer-Dinkgrafe

• Record Nr.: UNINA9910827282103321
• Pubbl/distr/stampa: Newcastle upon Tyne, : Cambridge Scholars Pub., 2010; Newcastle upon Tyne : , : Cambridge Scholars Pub., , 2010
• ISBN: 1-4438-1997-2
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (229 p.)
• Altri autori (Persone): BraskPer; Meyer-DinkgrafeDaniel <1958->
• Disciplina: 792.028019
• Soggetti: Acting - Psychological aspects; Acting - Philosophy
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references.
• Nota di contenuto: TABLE OF CONTENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CONTRIBUTORS
• Sommario/riassunto: Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience can bring about experiences that help heal the world, a shift in consciousness. This practice, though spiritual, is not ethereal but is rooted in doing, in actions, in breathing. That is, theatre is seen as an art f...