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Record Nr. |
UNINA9910826553903321 |
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Autore |
Dowling David Oakey <1967-> |
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Titolo |
Capital letters [[electronic resource] ] : authorship in the antebellum literary market / / by David Dowling |
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Pubbl/distr/stampa |
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Iowa City, : University of Iowa Press, c2009 |
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ISBN |
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Descrizione fisica |
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1 online resource (231 p.) |
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Disciplina |
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Soggetti |
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American literature - 19th century - History and criticism |
Authorship - Economic aspects - United States - History - 19th century |
Authorship - Social aspects - United States - History - 19th century |
Authors, American - 19th century - Economic conditions |
Authors and publishers - United States - History - 19th century |
Literature and society - United States - History - 19th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [199]-211) and index. |
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Nota di contenuto |
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Contents; Acknowledgments; Literature Now Makes Its Home with the Merchant: The Transformation of Literary Economics, 1820-61; Part 1: Crusading for Social Justice; 1. Other and More Terrible Evils: Anticapitalist Rhetoric in Harriet Wilson's Our Nig and Proslavery Propaganda; 2. Alert, Adventurous, and Unwearied: Market Values in Thoreau's Economies of Subsistence Living and Writing; Part 2: Transforming the Market; 3. Capital Sentiment: Fanny Fern's Transformation of the Gentleman Publisher's Code; 4. Transcending Capital: Whitman's Poet Figure and the Marketing of Leaves of Grass |
Part 3: Worrying the Woman Question 5. Dollarish All Over: Rebecca Harding Davis's Market Success and the Economic Perils of Transcendentalism; 6. Satirizing the Spheres: Refiguring Gender and Authorship in Melville; Dreams Deferred: Ambition and the Mass Market in Melville and King; Notes; Works Cited; Index |
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Sommario/riassunto |
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In the 1840's and 1850's, as the market revolution swept the United States, the world of literature confronted for the first time the gaudy glare of commercial culture. Amid growing technological sophistication and growing artistic rejection of the soullessness of materialism, |
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