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1. |
Record Nr. |
UNINA9910345969003321 |
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Titolo |
Le mode de scrutin fait-il l'élection ? |
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Pubbl/distr/stampa |
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Bruxelles, : Éditions de l'Université de Bruxelles, 2000 |
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Descrizione fisica |
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Altri autori (Persone) |
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DelwitPascal |
WaeleJean-Michel de |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Le vote, sous le règne du suffrage universel, est le principal mode de légitimation des régimes de démocratie représentative. Cette pratique générale – s’exprimer à échéance régulière pour l’élection de ses représentants – recouvre un grand nombre de diversités. Diversité dans la nature des régimes : régimes parlementaire, semi-présidentiel ou présidentiel. Diversité dans les espaces-temps qui séparent les scrutins. Diversité surtout dans les modalités de l’élection. Le mode de scrutin est une des contraintes juridico-politiques qui entourent l’expression du suffrage. Depuis plusieurs années, la nature et les modalités des systèmes électoraux sont au centre de débats politiques et scientifiques. Certains Etats ont changé leur législation électorale récemment (Italie, Japon, Nouvelle-Zélande). En Belgique, la problématique d’un éventuel passage au scrutin majoritaire a été évoquée à plusieurs reprises. L’ouvrage fait le point sur l’état des principaux modes de scrutin à l’œuvre en Europe. Une question centrale traverse le livre : dans quelle mesure le mode de scrutin « fait-il » l’élection ? Cette problématique est au cœur des différentes contributions à travers l’évocation de situations en Europe occidentale et centrale ou dans une dimension internationale – les élections pour le Parlement européen. Dans la deuxième partie du livre, la controverse est centrée sur la Belgique, à travers des interrogations clés : quelles raisons ont justifié le passage d’un mode de scrutin majoritaire au |
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scrutin proportionnel en 1899 ? Quelles sont les modalités juridiques d’un éventuel changement de mode de scrutin ? Quels pourraient, enfin, être les effets d’un passage du mode de scrutin proportionnel à un scrutin majoritaire ? |
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2. |
Record Nr. |
UNINA9910826041003321 |
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Titolo |
Reengineering local knowledge : current issues and practices / / editors, Mohamad Rashidi Pakri, Nurul Farhana Low Abdullah, Salasiah Che Lah |
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Pubbl/distr/stampa |
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Pulau Pinang, Malaysia : , : Penerbit Universiti Sains Malaysia, , 2015 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (166 pages) |
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Collana |
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Special publication series / Penerbit USM |
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Livello bibliografico |
Monografia |
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Note generali |
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Conference was organized by Universiti Sains Malaysia. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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3. |
Record Nr. |
UNINA9910484487303321 |
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Autore |
Larkin T. Lawrence |
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Titolo |
In Search of Marie-Antoinette in the 1930s : Stefan Zweig, Irving Thalberg, and Norma Shearer / / by T. Lawrence Larkin |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
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Edizione |
[1st ed. 2019.] |
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Descrizione fisica |
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1 online resource (312 pages) |
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Motion pictures - History |
Adaptation (Literary, artistic, etc.) |
Motion picture acting |
Motion pictures - Production and direction |
Popular culture |
Arts |
Film and TV History |
Adaptation Studies |
Screen Performance |
Film and Television Production |
Popular Culture |
Fine Art |
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Monografia |
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Nota di contenuto |
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1. In Search of Marie-Antoinette: The Inscrutable Life Worth Scrutinizing -- 2. Stefan Zweig's Clinical Biography, 1930-1932 -- 3. Irving Thalberg's Film Production, 1934-1936 -- 4. Norma Shearer's Dramatic Performance, 1937-1938 -- 5. Conclusion. |
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Sommario/riassunto |
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In Search of Marie-Antoinette in the 1930s follows Austrian biographer Stefan Zweig, American producer Irving Thalberg, and Canadian-American actress Norma Shearer as they attempt to uncover personal aspects of Marie-Antoinette's life at the French court in the late eighteenth-century and to dramatize them in biography, cinema, and |
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performance for public consumption during the 1930s. The first chapter establishes the core subject as an inquiry into the respective contributions of Zweig, Thalberg, and Shearer in formulating an "objective" or "authentic" image of "Marie-Antoinette." The three chapters that follow examine in some detail how Zweig pursued research and drafted the psychological biography at his Salzburg home, Thalberg acquired film rights to the best-selling book and fought the censors to preserve the more sensational aspects of the screenplay at the Culver City studio, and Shearer worked closely with a new producer to give the script a strong romantic angle andto perform the character of the queen on the sound stage. The professionals' research standards and strategic objectives are weighed in the formulation of a new myth at once sensitive to the historical record and suited to the leisure market. T. Lawrence Larkin is Associate Professor of Seventeenth- to Nineteenth-Century European and American Art and Coordinator of the Art History Graduate Program at Montana State University, Bozeman, USA. His research follows two currents: Queen Marie-Antoinette's art patronage as a sign of political identity under the old monarchy and political portraits realized in the United States and France during the Revolutionary and Imperial eras. "Larkin builds upon his considerable expertise in art history-the representation of the dubious queen in oil painting-as a framework for exploring a particular classical Hollywood biopic, MGM's Marie-Antoinette (1938). Not only does the book give reason to attend more carefully to the bio-pic in late 1930s Hollywood, it also provides a sterling guide for doing production studies. Larkin's call to arms to rescue the tragically ignored author Stefan Zweig out of oblivion is Larkin's stunning contribution to 20th-century intellectual history." -Walter C. Metz, Professor, Department of Cinema and Photography, Southern Illinois, USA. |
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