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Record Nr. |
UNINA9910826032803321 |
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Autore |
Bogar Thomas A. <1948-> |
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Titolo |
American presidents attend the theatre : the playgoing experiences of each chief executive / / Thomas A. Bogar |
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Pubbl/distr/stampa |
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Jefferson, North Carolina : , : McFarland & Company, Inc., , 2009 |
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©2006 |
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ISBN |
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Descrizione fisica |
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1 online resource (443 p.) |
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Disciplina |
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Soggetti |
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Presidents - United States - History |
Presidents - United States |
Presidents - United States - Social life and customs |
Theater audiences - United States - History |
Theater - United States - History |
Popular culture - United States - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Acknowledgments; Contents; Preface; 1. Washington (1751-1782); 2. The Adamses and Jefferson Abroad (1778-1788); 3. Independence (1784-1799); 4. A New Capital (1800-1817); 5. Good Feelings, Bad Feelings (1817-1833); 6. The New National Theatre (1834-1844); 7. Unquiet Times (1845-1860); 8. Lincoln (1861-1863); 9. Opera, Forrest, and the Booths (1864-1865); 10. Aftermath (1865-1874); 11. The Gilded Age (1874-1881); 12. A Social White House (1881-1885); 13. Marriages (1885-1889); 14. The Rise of Realism (1889-1892); 15. The Turn of the Century (1893-1901); 16. TR (1901-1909) |
17. Taft (1909-1910)18. Offstage Drama (1910-1913); 19. Vaudeville (1913-1915); 20. Enter Edith (1915-1917); 21. Victory (1918-1921); 22. Jazz (1921-1924); 23. Boom and Bust (1924-1933); 24. Recovery (1933-1940); 25. Theatre of War (1941-1949); 26. Cold War Theatre (1950-1961); 27. Camelot (1961-1964); 28. Protest (1965-1974); 29. Vicissitudes (1974-1980); 30. An Actor in the White House (1981-1992); 31. Fundraisers and Family (1993-2005); Afterword; Chapter |
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Notes; Bibliography; Index |
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Sommario/riassunto |
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Not every presidential visit to the theatre is as famous as Lincoln's last night at Ford's, but American presidents attended the theatre long before and long after that ill-fated night. In 1751, George Washington saw his first play, The London Merchant, during a visit to Barbados. John Quincy Adams published dramatic critiques. William McKinley avoided the theatre while in office, on professional as well as moral grounds. Richard Nixon met his wife at a community theatre audition. Surveying 255 years, this volume examines presidential theatre-going as it has reflected shifting popular tastes i |
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