|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910825356103321 |
|
|
Autore |
Charters Samuel Barclay |
|
|
Titolo |
A trumpet around the corner : the story of New Orleans jazz / / Samuel Charters |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Jackson, : University Press of Mississippi, c2008 |
|
|
|
|
|
|
|
ISBN |
|
1-62103-810-6 |
1-282-48568-7 |
9786612485688 |
1-60473-318-7 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (393 p.) |
|
|
|
|
|
|
Collana |
|
American made music series |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Jazz - Louisiana - New Orleans - History and criticism |
Jazz musicians - Louisiana - New Orleans |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (p. 370-371) and index. |
|
|
|
|
|
|
Nota di contenuto |
|
CONTENTS; ACKNOWLEDGMENTS; COUNTING OFF THE BEAT: AN INTRODUCTION; 1. A CITY LIKE NO OTHER; 2. PEOPLE, FACES; 3. A SOCIETY TO ITSELF; 4. PAPA JACK'S BOYS; 5. THE OTHER SIDE OF TOWN; 6. ON THE CIRCUIT; 7. "JASS"; 8. THE FIRST SENSATIONAL MUSICAL NOVELTY OF 1917!; 9. SOME RECORD!; 10. SOUTHERN STOMPS; 11. RHYTHM KINGS; 12. MISTER JELLY; 13. BOUNCING AROUND; 14. OUT TO THE HALFWAY HOUSE; 15. KINGS OF NEW ORLEANS; 16. THE TIGER'S PAW; 17. THE PRODIGAL; 18. JAZZ NIGHTS; 19. GLORIES, REMEMBERED; 20. REVIVAL DAYS; 21. STRUTTIN'; NOTES; BIBLIOGRAPHY; INDEX |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Samuel Charters has been studying and writing about New Orleans music for more than fifty years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages--African American, white, and Creole--in jazz's formative years. Charters also maps the inroads blazed by the city's Italian immigrant musicians, who left thei |
|
|
|
|
|
|
|