1.

Record Nr.

UNINA9910825354303321

Autore

Wan Margaret B

Titolo

Green peony and the rise of the Chinese martial arts novel / / Margaret B. Wan

Pubbl/distr/stampa

Albany, NY, : State University of New York Press, c2009

ISBN

0-7914-7705-3

1-4416-0377-8

Edizione

[1st ed.]

Descrizione fisica

1 online resource (248 p.)

Collana

Suny series in Chinese philosophy and cultures

Disciplina

895.1/3087

Soggetti

Martial arts fiction, Chinese - History and criticism

Chinese fiction - Qing dynasty, 1644-1912 - History and criticism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references (p. 213-224) and index.

Nota di contenuto

Front Matter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- Formation of a Formula -- Parody and Roles in Green Peony -- Metafi ction in Green Peony -- Placing the "Popular" Novel in the Qing -- Performance Genre Texts Grouped by Relationship to Novels -- Notes -- Glossary -- Selected Bibliography -- Index

Sommario/riassunto

Martial arts fiction has been synonymous with popular fiction in China from the Qing dynasty on. This book, the first to trace the early development of the martial arts novel in China, demonstrates that the genre took shape nearly a century earlier than generally recognized. Green Peony (1800), one of the earliest martial arts novels, lies at the center of a web of literary relations connecting many of the significant genres of fiction in its day. Adapted from a drum ballad, Green Peony parodies both previous popular fiction and the great Ming novels, generating humorous reflection on their values. By focusing on popular fiction and popular culture, Margaret B. Wan argues for the relevance of genre to literary criticism, the convergence of "popular" and "elite" fiction in the nineteenth century, and a general turn from didacticism to entertainment. Literary scholars, historians, and anyone who wishes to know more about Chinese popular culture in the Qing dynasty will benefit from reading this book.