1.

Record Nr.

UNINA9910825346803321

Autore

Sedlmeier Florian

Titolo

The postethnic literary : reading paratexts and transpositions around 2000 / / Florian Sedlmeier

Pubbl/distr/stampa

Berlin, [Germany] : , : Walter de Gruyter GmbH, , 2014

©2014

ISBN

3-11-040911-9

3-11-036848-X

Descrizione fisica

1 online resource (242 p.)

Collana

Buchreihe der ANGLIA/ ANGLIA Book Series, , 0340-5435 ; ; Volume 48

Classificazione

HQ 7481

Disciplina

810.9/355

Soggetti

American literature - Criticism, Textual

Ethnic groups in literature

Multiculturalism in literature

Paratext

Authorship

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front matter -- Preface: Read, Again -- Acknowledgements -- Contents -- Introduction: Para texts, Transpositions, and Post ethnic Literature -- 1. Breaching the Autobiographical Pact: Sherman Alexie and the Ethics of Reading for Form -- 2. Copies, Lists, and Reading Publics in Chang-rae Lee's Native Speaker -- 3. Exhaustion, Abstraction, and the Longing for Post ethnic Literary Presence in Jamaica Kincaid's Lucy -- Coda. The How is the What: Constellations of the Post ethnic Literary This study has explored the epistemological conditions -- Works Cited -- Index

Sommario/riassunto

The book explores the discursive and theoretical conditions for conceptualizing the postethnic literary. It historicizes US multicultural and postcolonial studies as institutionalized discursive formations, which constitute a paratext that regulates the reception of literary texts according to the paradigm of representativeness. Rather than following that paradigm, the study offers an alternative framework by rereading contemporary literary texts for their investment in literary form. By means of self-reflective intermedial transpositions, the writings of



Sherman Alexie, Chang-rae Lee, and Jamaica Kincaid insist upon a differentiation between the representation of cultural sign systems or subject positions and the dramatization of individual gestures of authorship. As such, they form a postethnic literary constellation, further probed in the epilogue of the study focused on Dave Eggers.