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1. |
Record Nr. |
UNINA9910716141903321 |
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Titolo |
Putting in force the statute of limitations of the State of Oklahoma in reference to suits involving Indian titles, etc. February 19, 1926. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed |
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Pubbl/distr/stampa |
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[Washington, D.C.] : , : [U.S. Government Printing Office], , 1926 |
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Descrizione fisica |
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1 online resource (4 pages) |
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Collana |
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House report / 69th Congress, 1st session. House ; ; no. 322 |
[United States congressional serial set] ; ; [serial no. 8531] |
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Altri autori (Persone) |
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HastingsWilliam Wirt <1866-1938> (Democrat (OK)) |
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Soggetti |
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County courts |
Five Civilized Tribes |
Indian allotments |
Inheritance and succession |
Jurisdiction |
Land titles |
Legislative amendments |
Limitation of actions |
Legislative materials. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Batch processed record: Metadata reviewed, not verified. Some fields updated by batch processes. |
FDLP item number not assigned. |
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2. |
Record Nr. |
UNINA9910824755103321 |
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Autore |
Reynolds Michael A. <1968-> |
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Titolo |
Shattering empires : the clash and collapse of the Ottoman and Russian empires, 1908-1918 / / Michael A. Reynolds |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2011 |
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ISBN |
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1-107-21455-6 |
0-511-85293-2 |
1-282-97822-5 |
9786612978227 |
0-511-76201-1 |
0-511-93175-1 |
0-511-93310-X |
0-511-92790-8 |
0-511-92536-0 |
0-511-93041-0 |
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Descrizione fisica |
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1 online resource (xiv, 303 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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World War, 1914-1918 - Turkey |
World War, 1914-1918 - Russia |
Geopolitics - Caucasus |
Geopolitics - Eurasia |
Turkey Foreign relations Russia |
Russia Foreign relations Turkey |
Turkey History Mehmed V, 1909-1918 |
Turkey History Revolution, 1908 |
Russia History Nicholas II, 1894-1917 |
Russia History February Revolution, 1917 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Machine generated contents note: Introduction; 1. The high politics of anarchy and competition; 2. Troubles in Anatolia: imperial insecurities and the transformation of borderland politics; 3. Visions of |
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vulnerability: the politics of Muslims, revolutionaries, and defectors; 4. Out of the pan, into the fire: empires at war; 5. Remastering Anatolia: rending nations, rending empires; 6. Brest-Litovsk and the opening of the Caucasus; 7. Forced to be free: the geopolitics of independence in the Transcaucasus; 8. Racing against time; Epilogue. |
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Sommario/riassunto |
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The break-up of the Ottoman empire and the disintegration of the Russian empire were watershed events in modern history. The unravelling of these empires was both cause and consequence of World War I and resulted in the deaths of millions. It irrevocably changed the landscape of the Middle East and Eurasia and reverberates to this day in conflicts throughout the Caucasus and Middle East. Shattering Empires draws on extensive research in the Ottoman and Russian archives to tell the story of the rivalry and collapse of two great empires. Overturning accounts that portray their clash as one of conflicting nationalisms, this pioneering study argues that geopolitical competition and the emergence of a new global interstate order provide the key to understanding the course of history in the Ottoman-Russian borderlands in the twentieth century. It will appeal to those interested in Middle Eastern, Russian, and Eurasian history, international relations, ethnic conflict, and World War I. |
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3. |
Record Nr. |
UNINA9910647771903321 |
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Autore |
Rodríguez Morató Arturo |
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Titolo |
Sociology of the Arts in Action : New Perspectives on Creation, Production, and Reception / / edited by Arturo Rodríguez Morató, Alvaro Santana-Acuña |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
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ISBN |
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Edizione |
[1st ed. 2022.] |
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Descrizione fisica |
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1 online resource (346 pages) |
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Collana |
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Sociology of the Arts, , 2569-1406 |
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Disciplina |
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Soggetti |
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Culture |
Arts |
Ethnology - Latin America |
Sociology of Culture |
Latin American Culture |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Introduction: New Perspectives for the Sociology of the Arts -- Part I: Reconsidering the Frames of Artistic Production -- Chapter 1: Heteronomy and Necessity: Assembling Projects for Architectural Competitions, Ignacio Farías -- Chapter 2: Creative Settings: The Incidence of Place on Urban Cultural Creativity Processes, Matías I. Zarlenga -- Chapter 3: Cultural Creation in Culinary Fields: The Cases of New York and San Francisco, Vanina Leschziner -- Part II: New Perspectives on Creative Practices and Artistic Outputs -- Chapter 4: Rock and Creativity: The Beatles and the Rock Album Generative Formula, Cristián Martín Pérez Colman -- Chapter 5: The Jolie Môme Theatre Company: Sociology of Artistic Work in the Militant Theatre, Marisol Facuse -- Chapter 6: The Habitus of Dance: A Video-Aided Ethnography of Artistic Skills in Rehearsal, Dafne Muntanyola-Saura -- Chapter 7: Representations of the Uncertain: Art, Astronomy, and Dark Matter, Paola Castaño -- Part III: The Artwork: Expanding the Analysis |
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of Its Materiality and Meaning(s) -- Chapter 8: Learning to Love Concrete: On the Socio-Materialities of Brutalism, Eduardo de la Fuente -- Chapter 10: The Literary Classic and the Underappreciated Significance of Indexical Expressions, Alvaro Santana-Acuña -- Part IV: Deepening Reception Analysis: Aesthetic Experience, Evaluation and Critique -- Chapter 11: Objects, Emotion, and Biography or How to Get back to Love Opera and Football Shirts, Claudio E. Benzecry -- Chapter 12: How Contemporary Art Is Evaluated: The Council of Arts and Letters of Québec’s Artistic Quality Criteria, Marián Misdrahi -- Chapter 13: Undoing the market: Corporate sponsorship and activist protests at Tate Galleries, Marta Herrero. |
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Sommario/riassunto |
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This edited collection carries out an extensive coverage of the sociology of arts’ most characteristic thematic areas (production, creation, the artwork, and reception) across an important range of artistic fields, from the most traditional to the more unusual. It makes an argument for the theoretical creativity and empirical expansion that characterizes the study of contemporary sociology of the arts. Such creativity is present in the increasingly predominant approach to a sociology of the arts in action, in all areas of inquiry within the discipline. The range of theoretical paradigms evoked is rich, analysing several of the most important theoretical frameworks currently handled in the discipline (Bourdieu, Becker, Peterson, ANT), and combining them with the works of many other influential contemporary specialists (De Nora, Hennion, Lamont, Menger and Born et al.). The book also establishes links to less known theoretical frameworks and some from different fields including economicsociology,microsociology, ethnomethodology, semiotics, and cultural history. The volume argues that Spanish-speaking scholars are now at the forefront of new developments in the field of the sociology of the arts, and is the first effort to gather research by these influential Spanish-language scholars in a single volume for an English-language audience. |
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