Intro -- Hitchcock at the Source: The Auteur as Adaptor -- Contents -- Illustrations -- Introduction: Recontextualizing Hitchcock's Authorship -- 1. Hitchcock from Stage to Page -- 2. Hitchcock and theThree Pleasure Gardens -- 3. Hitchcock and The ManxmanA Victorian Bestseller on the Silent Screen -- 4. BlackmailCharles Bennett and the Decisive Turn -- 5. The Man Who KnewToo Much (1934): Alfred Hitchcock, John Buchan, and the Thrill of the Chase -- 6. Secret Agent: Coming in from the Cold, Maugham Style -- 7. The Lady Vanishes, but She Won't Go Away -- 8. The Trouble with Rebecca -- 9. Depth Psychology on the Surface: Hitchcock's Spellbound -- 10. Unrecognizable Origins: "The Song of the Dragon" and Notorious -- 11. Morbid Psychologies and So Forth: The Fine Art of Rope -- 12. Under a Distemperate Star: Under Capricorn -- 13. Bruno's Game, or the Case of the Sardonic Psychopath -- 14. Alfred Hitchcock Presents: Dial M for Murder: The Submerged Televisuality of a Stage-to-Screen Adaptation -- 15. The Author of This Claptrap: Cornell Woolrich, Alfred Hitchcock, and Rear Window -- 16. To Catch a Thief: Light Reading on a Dark Topic -- 17. Woman as Death: Vertigo as Source -- 18. Psycho:Trust the Tale -- 19. Thirteen Ways of Looking at The Birds -- 20. A Brief Anatomy of Family Plot -- Appendix: Hitchcock's Films and Their Sources -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V |