1.

Record Nr.

UNINA9910824574803321

Autore

Curyo-Klag I (Izabela)

Titolo

Violence in early modernist fiction : The Secret Agent, Tarr and Women in Love / / Izabela Curyo-Klag

Pubbl/distr/stampa

Krakow, : Jagiellonian University Press, 2011

ISBN

83-233-8000-7

Edizione

[1st ed.]

Descrizione fisica

1 online resource (126 pages) : digital, PDF file(s)

Disciplina

823/.914093552

Soggetti

Violence in literature

Modernism (Literature) - Great Britain

English fiction - 20th century - History and criticism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

"The publication of this volume was supported by the Faculty of Philology of the Jagiellonian University".

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Contents; Acknowledgements; Introduction; Chapter I. Modernist Consciousness of Crisisand the Emer gent Violence Mythos; Modernism as Sacrificial Crisis; The Secret Agent, Tarr and Women in Love; Mimetic Rivalries and Con tagion of Violence; The Violence My thos of Modernism; Review of Critic al Approaches to Violence and Modernism; Chapter II. Ticking Towards Disaster-Violenceas "The Enemy Within" in Conrad's The Secret Agent; England must be brought into line; Madness alone is truly terrifying; Blood alone puts a seal on greatness; She was not a submissiv e creature

Simple ferocity of the age of cavernsChapter III. "All Personality Was Catching"-Mimetic Rivalryand the Con tagion of Violence in Tarr; Doomed, evidently; All in order for unbounded in flammation; A thirst for action; She had lain in wait for him; The bubonic plague; Not a duel but a brawl; Only a game, too; Chapter IV. Humanity in a Cul-de-sac: Women in Loveas an Epic of Sacrificial Crisis; An omen of universal dissolution; Mutual hellish recognition; A lurking desir e to have gizzard slit; Conclusion; Bibliography

Sommario/riassunto

This study focuses on texts exploring human proclivity to violent behaviour. Building on the anthropological insights of René Girard, and on the premise that literature is a reflection of a cultural moment, Curyłło-Klag shows how early modernism registers symptoms of crisis



which even the outbreak of World War I failed to resolve. Arranged in chronological order, the works of Conrad, Lewis and Lawrence reveal an unfolding pattern and form a triptych, indicative of the growing intensity of the epoch in which they were produced.