1.

Record Nr.

UNINA9910824358003321

Autore

Stout John Cameron

Titolo

Antonin Artaud's alternate genealogies : self-portraits and family romances / / John C. Stout

Pubbl/distr/stampa

Waterloo, Ont., : Wilfrid Laurier University Press, c1996

ISBN

1-282-23357-2

9786613811318

0-88920-591-4

Edizione

[1st ed.]

Descrizione fisica

1 online resource (145 p.)

Disciplina

848/.91209

Soggetti

French literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references (p. 125-131) and index.

Nota di contenuto

Front Matter -- Contents -- Preface -- Acknowledgments -- Introduction -- "Mon ami, ma chimère...": Early Prose Poems on Uccello and Abèlard -- Beneath the Monk's Cowl/ Sous I'habit du moine: On Artaud's "Copy" of M.G. Lewis' The Monk -- Modernist Family Romance: The Rhetoric of Héliogabale -- The Drama of Desire against Itself: Les Cenci -- Self-Portraits at Rodez and Ivry -- Conclusion -- Bibliography -- Index

Sommario/riassunto

Most readers know Antonin Artaud as a theorist of the theatre and as a playwright, director and actor manqué. Now, John C. Stout’s highly original study installs Artaud as a writer and theorist of biography. In Alternate Genealogies Stout analyzes two separate but interrelated preoccupations central to Artaud’s work: the self-portrait and the family romance. He shows how Artaud, in several important but relatively neglected texts, rewrites the life stories of historical and literary figures with whom he identifies (for example, Paolo Ucello, Abelard, Van Gogh and Shelley’s Francesco Cenci) in an attempt to reinvent himself through the image, or life, of another. Throughout the book Stout focusses on Artaud’s struggles to recover the sense of self that eludes him and to master the reproductive process by recreating the family in — and as — his own fantasies of it. With this research John C. Stout has added considerably to our understanding of Artaud. His book will be much appreciated by theatre scholars, Artaud specialists,



Freudians, Lacanians and both theorists and practitioners of life writing.