| |
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910768383803321 |
|
|
Autore |
Abelló María Luisa López-Vidriero |
|
|
Titolo |
Archives en bibliothèques (XVIe-XXIe siècles) / / Emmanuelle Chapron, Fabienne Henryot |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Lyon, : ENS Éditions, 2023 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (346 p.) |
|
|
|
|
|
|
Altri autori (Persone) |
|
CaparosCamille |
ChapronEmmanuelle |
ChastangPierre |
DaumasShirley |
DelmulleJérémy |
De PasqualeAndrea |
FeurtetJean-Marie |
HenryotFabienne |
HinckerLouis |
KchaouSihem |
LaboulaisIsabelle |
LatourPatrick |
Leblay-KinoshitaAnne |
Lemaigre-GaffierPauline |
Le BrechGoulven |
MartignonMaxime |
PortesLaurent |
PotinYann |
RainesDorit |
Ritz-GuilbertAnne |
|
|
|
|
|
|
|
|
Soggetti |
|
History |
Library, Information & Communication sciences |
bibliothèque |
archive |
érudition |
pratique savante |
library |
erudition |
scholarly practice |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Sommario/riassunto |
|
Les bibliothèques sont-elles un lieu d’archivage, et si c’est le cas, qu’archivent-elles et comment le font-elles ? Cet ouvrage discute la pertinence des frontières convenues entre archives et bibliothèques, et examine dans la longue durée la construction des lieux de conservation documentaire et des fonctions, tantôt bien distinctes, tantôt plus hybrides, qui leur sont attribuées par les sociétés européennes. À partir d’études de cas, ce volume retrace les circonstances dans lesquelles certains types de documents ont été considérés comme des archives et comment ils ont été répartis dans les dépôts d’archives ou dans les bibliothèques. Il examine les critères qui fondent cette distinction institutionnelle et documentaire, et la manière dont ces choix ont conditionné le travail de tri, de sélection, de classement, de description et de consultation. Il invite ainsi à réexaminer la genèse des fonds documentaires, au sein des familles, des institutions de l’État ou des cabinets d’érudits, et à comprendre autrement les conditions documentaires de la fabrique de l’histoire, hier et aujourd’hui. Are libraries archival repositories and if so, what do they archive and how do they do it? This book proposes to discuss the relevance of the generally accepted boundaries between archives and libraries and to examine the long-term construction of document curation and the functions, at times quite distinct, at times more hybrid, that European societies attributes to them. Using case studies, the sixteen contributions in this volume trace the circumstances in which certain types of documents were considered as archival materials and how they were distributed in archives or libraries. They examine the criteria that served as a basis for such an institutional and documental distinction, and the way in which these choices conditioned sorting, selection, classification and consultation endeavours. They thus invite us to re-examine the genesis of documental collections, within… |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910824327003321 |
|
|
Autore |
Jackson Michael <1940-> |
|
|
Titolo |
The work of art : rethinking the elementary forms of religious life / / Michael Jackson |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York : , : Columbia University Press, , [2016] |
|
©2016 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (273 pages) : illustrations |
|
|
|
|
|
|
Collana |
|
Insurrections: critical studies in religion, politics, and culture |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Bibliographic Level Mode of Issuance: Monograph |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Frontmatter -- Contents -- List of Figures -- Preamble -- Part 1 -- Part 2 -- Part 3 -- Notes -- Acknowledgments -- Permissions -- Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
How are we to think of works of art? Rather than treat art as an expression of individual genius, market forces, or aesthetic principles, Michael Jackson focuses on how art effects transformations in our lives. Art opens up transitional, ritual, or utopian spaces that enable us to reconcile inward imperatives and outward constraints, thereby making our lives more manageable and meaningful. Art allows us to strike a balance between being actors and being acted upon. Drawing on his ethnographic fieldwork in Aboriginal Australia and West Africa, as well as insights from psychoanalysis, religious studies, literature, and the philosophy of art, Jackson deploys an extraordinary range of references-from Bruegel to Beuys, Paleolithic art to performance art, Michelangelo to Munch-to explore the symbolic labor whereby human beings make themselves, both individually and socially, out of the environmental, biographical, and physical materials that affect them: a process that connects art with gestation, storytelling, and dreaming and illuminates the elementary forms of religious life. |
|
|
|
|
|
|
|
| |