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Record Nr. |
UNINA9910777668903321 |
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Autore |
Rodríguez-Mangual Edna M |
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Titolo |
Lydia Cabrera and the construction of an Afro-Cuban cultural identity [[electronic resource] /] / Edna M. Rodríguez-Mangual |
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Pubbl/distr/stampa |
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Chapel Hill, : University of North Carolina Press, c2004 |
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ISBN |
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979-88-908786-8-7 |
0-8078-7628-3 |
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Descrizione fisica |
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1 online resource (214 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Black people - Cultural assimilation - Cuba |
Black people - Cuba - Ethnic identity |
Black people - Cuba |
Cuba Civilization African influences |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [175]-193) and index. |
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Nota di contenuto |
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Contents; Acknowledgments; Introduction; 1 The Point of Departure: Fernando Ortiz and Afro-Cuban Studies; 2 A Disarticulation of the Gaze: Exploring Modes of Authority and Representation in the Rhetoric of El monte; 3 The Death of the King: Between Anthropology and Fiction; 4 The Anthropologist's Exile: Nation and Simulacrum; Notes; Bibliography; Index; |
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Sommario/riassunto |
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Lydia Cabrera (1900-1991) collected oral histories, stories, and music from Cubans of African descent. Her work is often viewed as an extension of the work of her famous brother-in-law, Cuban anthropologist Fernando Ortiz. Edna Rodriguez-Mangual challenges this, proposing that her work is an alternative to the hegemonizing national myth of Cuba. |
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2. |
Record Nr. |
UNINA9910823842503321 |
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Autore |
Hackett David G |
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Titolo |
That religion in which all men agree : freemasonry in American culture / / David G. Hackett |
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Pubbl/distr/stampa |
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Berkeley, California : , : University of California Press, , 2014 |
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©2014 |
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ISBN |
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0-520-28760-6 |
0-520-95762-8 |
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Descrizione fisica |
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1 online resource (330 p.) |
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Disciplina |
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Soggetti |
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Freemasonry - United States - History |
Group identity - United States - History |
United States Religion |
United States Social life and customs |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Colonial Freemasonry and Polite Society, 1733-1776 -- 2. Revolutionary Masonry: Republican and Christian, 1757-1825 -- 3. A Private World of Ritual, 1797-1825 -- 4. Anti-Masonry and the Public Sphere, 1826-1850 -- 5. Gender, Protestants, and Freemasonry, 1850-1920 -- 6. The Prince Hall Masons and the African American Church: The Labors of Grand Master and Bishop James Walker Hood, 1864-1918 -- 7. Freemasonry and Native Americans, 1776-1920 -- 8. Jews and Catholics, 1723-1920 -- Epilogue -- Notes -- Index |
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Sommario/riassunto |
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This powerful study weaves the story of Freemasonry into the narrative of American religious history. Freighted with the mythical legacies of stonemasons' guilds and the Newtonian revolution, English Freemasonry arrived in colonial America with a vast array of cultural baggage, which was drawn on, added to, and transformed during its sojourn through American culture. David G. Hackett argues that from the 1730's through the early twentieth century the religious worlds of an evolving American social order broadly appropriated the beliefs and initiatory practices of this all-male society. For much of American |
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history, Freemasonry was both counter and complement to Protestant churches, as well as a forum for collective action among racial and ethnic groups outside the European American Protestant mainstream. Moreover, the cultural template of Freemasonry gave shape and content to the American "public sphere." By including a group not usually seen as a carrier of religious beliefs and rituals, Hackett expands and complicates the terrain of American religious history by showing how Freemasonry has contributed to a broader understanding of the multiple influences that have shaped religion in American culture. |
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