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Record Nr. |
UNINA9910823763603321 |
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Autore |
Brøvig-Hanssen Ragnhild |
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Titolo |
Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
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Pubbl/distr/stampa |
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Cambridge, MA : , : The MIT Press, , [2016] |
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©2016 |
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ISBN |
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0-262-33445-3 |
0-262-33446-1 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (199 p.) |
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Disciplina |
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Soggetti |
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Popular music - Philosophy and aesthetics |
Popular music - Production and direction |
Sound - Recording and reproducing - Digital techniques |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
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Sommario/riassunto |
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How sonically distinctive digital "signatures"--Including reverb, glitches, and autotuning -- affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others. |
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