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1. |
Record Nr. |
UNISA996390402603316 |
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Autore |
Du Moulin Lewis <1606-1680.> |
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Titolo |
Ludovici Molinæi epistola ad amicum [[electronic resource] ] : in qua gratiam divinam, seque defendit adversus objecta clar. viri Iohannis Dallæi in præfatione libri in Epicritam |
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Pubbl/distr/stampa |
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Londini, : Excudebat R. Daniel : prostat apud Samuelem Thomson, 1658 |
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Descrizione fisica |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Annotation on Thomason copy: "Sept:". |
Reproduction of the original in the British Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910823476903321 |
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Autore |
Flusser Vilém <1920-1991.> |
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Titolo |
On doubt / / Vilem Flusser ; translated by Rodrigo Maltez Novaes ; edited by Siegfried Zielinski |
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Pubbl/distr/stampa |
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Minneapolis, MN : , : Univocal Publishing, , [2014] |
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©2014 |
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ISBN |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (113 p.) |
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Collana |
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Flusser archive collection |
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Disciplina |
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Soggetti |
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Belief and doubt |
Philosophy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Sommario/riassunto |
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In On Doubt, Vilém Flusser refines Martin Heidegger's famous declaration that "language is the dwelling of Being." For Flusser, "the word is the dwelling of being," because in fact, in the beginning, there was the word. On Doubt is a treatise on the human intellect, its relation to language, and the reality-forming discourses that subsequently emerge. For Flusser, the faith that the modern age places in Cartesian doubt plays a role similar to the one that faith in God played in previous eras-a faith that needs to be challenged. Descartes doubts the world through his proposition cogito ergo sum |
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3. |
Record Nr. |
UNINA9910952295203321 |
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Autore |
Hotchkiss Valerie R. <1960-> |
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Titolo |
English in print from Caxton to Shakespeare to Milton / / Valerie Hotchkiss & Fred C. Robinson |
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Pubbl/distr/stampa |
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Urbana, : University of Illinois Press, c2008 |
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ISBN |
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9786613895707 |
9781283583251 |
1283583259 |
9780252091537 |
0252091531 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (258 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Printing - England - History |
Early printed books - England - 16th century |
Early printed books - England - 17th century |
Incunabula - England |
England Imprints Exhibitions |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"Catalog of an exhibition of materials from the collections of the Rare Book & Manuscript Library, University of Illinois at Urbana-Champaign, and the Elizabethan Club, Yale University, held at the Grolier Club, May 14-July 26, 2008." |
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Nota di bibliografia |
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Includes bibliographical references (p. 207-218) and index. |
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Nota di contenuto |
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English imprint : early English printing -- A world of words : English grammars and dictionaries -- For the regulating of printing -- "Done into our Englyshe tong" : the place of translation in early English printing -- From the stage to the page -- Making English books. |
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Sommario/riassunto |
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English in Print from Caxton to Shakespeare to Milton examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance |
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of popular literature; and the development of school grammars and dictionaries. Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Bookand Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronologicalcoverage of Pollard and Redgrave's famous Short-Title Catalogue (1475-1640), beginning with William Caxton, England's first printer, and ending with John Milton, the English language's most eloquent defender of the freedom of the press in his Areopagitica of 1644. William Shakespeare, neither a printer nor a writer much concerned with publishing his own plays, nonetheless deserves his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on the world of English printing in the period between Caxton and Milton. |
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