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Record Nr. |
UNINA9910823228003321 |
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Autore |
Hochberg Julian E |
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Titolo |
In the mind's eye : Julian Hochberg on the perception of pictures, films, and the world / / edited by Mary A. Peterson, Barbara Gillam, H.A. Sedgwick |
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Pubbl/distr/stampa |
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Oxford ; ; New York, : Oxford University Press, 2007 |
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ISBN |
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0-19-029207-5 |
0-19-773584-3 |
1-280-96586-X |
0-19-534359-X |
1-4356-0546-2 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (657 p.) |
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Collana |
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Oxford scholarship online |
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Altri autori (Persone) |
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PetersonMary A. <1950-> |
GillamBarbara |
SedgwickH. A |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Formerly CIP. |
Previously issued in print: 2007. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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; 1 Familiar size and the perception of depth -- ; 2 A quantitative approach to figural "goodness" -- ; 3 Apparent spatial arrangement and perceived brightness -- ; 4 Perception: toward the recovery of a definition -- ; 5 The psychophysics of pictorial perception -- ; 6 Pictorial recognition as an unlearned ability: a study of one child's performance -- ; 7 Recognition of faces -- ; 8 In the mind's eye -- ; 9 Attention, organization, and consciousness -- ; 10 Components of literacy -- ; 11 Reading as an intentional behavior -- ; 12 The representation of things and people -- ; 13 Higher-order stimuli and inter-response coupling in the perception of the visual world -- ; 14 Film cutting and visual momentum -- ; 15 Pictorial functions and perceptual structures -- ; 16 Levels of perceptual organization -- ; 17 How big is a stimulus -- ; 18 From perception: experience and explanations -- ; 19 The perception of pictorial representations -- ; 20 Movies in the mind's eye -- ; 21 Looking ahead (one glance at a time) |
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-- ; 22 The piecemeal, constructive, and schematic nature of perception -- ; 23 Hochberg: a perceptual psychologist -- ; 24 Mental schemata and the limits of perception -- ; 25 Integration of visual information across saccades -- ; 26 Scene perception: the world through a window -- ; 27 "How big is a stimulus?": learning about imagery by studying perception -- ; 28 How big is an optical invariant?: limits of tau in time-to-contact judgments -- ; 29 Hochberg and inattentional blindness -- ; 30 Framing the rules of perception: Hochberg versus Galileo, Gestalts, Garner, and Gibson -- ; 31 On the internal consistency of perceptual organization -- ; 32 Piecemeal perception and Hochberg's window: grouping of stimulus elements over distances -- ; 33 The resurrection of simplicity in vision -- ; 34 Shape constancy and perceptual simplicity: Hochberg's fundamental contributions -- ; 35 Constructing and interpreting the world in the cerebral hemispheres -- ; 36 Segmentation, grouping, and shape: some Hochbergian questions -- ; 37 Ideas of lasting influence: Hochberg's anticipation of research on change blindness and motion-picture perception -- ; 38 On the cognitive ecology of the cinema -- ; 39 Hochberg on the perception of pictures and of the world -- ; 40 Celebrating the usefulness of pictorial information in visual perception -- ; 41 Mental structure in experts' perception on human movement -- Julian Hochberg: biography and bibliography. |
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Sommario/riassunto |
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How can we best describe the processes by which we visually perceive our environment? This book seeks to bring the full range of Julian Hochberg's work by offering a selection of his key works. It is intended for researchers working on topics such as perceptual organisation, visual attention, motion perception, and film. |
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