1.

Record Nr.

UNINA990007466490403321

Autore

Mietowicz, Z.W.

Titolo

Mathematical statistical and financial tables for the social sciences / Z.W. Kmietowicz and Y. Yannoulis

Pubbl/distr/stampa

London ; New York : Longman, 1976

ISBN

0-582-44062-9

Descrizione fisica

IX, 54 p. ; 24 cm

Locazione

ILFGE

Collocazione

A-G 0039

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA990003819730403321

Autore

Palumbo, Genoveffa

Titolo

Giubileo giubilei : pellegrini e pellegrine, riti, santi, immagini per una storia dei sacri itinerari / Genoveffa Palumbo ; prefazione di Sofia Boesch Gajano

Pubbl/distr/stampa

Roma, : Rai Eri, c1999

ISBN

88-397-1007-8

Descrizione fisica

638 p., [24] c. di tav. : ill. ; 23 cm

Collana

Primo piano

Disciplina

306.691446

Locazione

FLFBC

BFS

Collocazione

DFT B30.4 PALG 01

306.691446 PAL 1

263.041 PAL 1

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Contiene bibl. (pp. 551-599) e indici



3.

Record Nr.

UNINA9910823152903321

Titolo

Decentring the avant-garde / / edited by Per Bäckström and Benedikt Hjartarson ; Aart Jan Bergshoeff, cover design

Pubbl/distr/stampa

Amsterdam, Netherlands : , : Rodopi, , 2014

©2014

ISBN

94-012-1037-3

Descrizione fisica

1 online resource (328 p.)

Collana

Avant garde critical studies ; ; 30

Altri autori (Persone)

BäckströmPer

HjartarsonBenedikt

BergshoeffAart Jan

Disciplina

111.85

Soggetti

Avant-garde (Aesthetics)

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Includes index.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Preliminary material / Editors DECENTRING THE AVANT-GARDE -- Rethinking the Topography of the International Avant-Garde: Introduction / Per Bäckström and Benedikt Hjartarson -- Modern Global Art and Its Discontents / Partha Mitter -- Romantic Peripheries: The Dynamics of Enlightenment and Romanticism in East-Central Europe / Éva Forgács -- Peculiarities in the Use of the Concepts Centre and Periphery in Avant-Garde Strategies / Daina Teters -- Postcolonial Avant-Gardes and the World System of Modernity/Coloniality / Laura Winkiel -- Avant-Garde Art in Post-Communist Central Europe / Piotr Piotrowski -- Mushrooms, Ant Paths and Tactics: The Topography of the European Film Avant-Garde / Malte Hagener -- Claiming Dada for the French / Thomas Hunkeler -- Migration of Images: Private Collections of Modernism and Avant-Garde and the Search for Cubism in Eastern Europe / Vojtěch Lahoda -- Worlds Apart?: The Japan-Europe Historical Avant-Garde Relationship / Thomas Hackner -- “An Eccentric Homespun Avant-Gardist”: Hugh MacDiarmid, ‘Northern’ Radicalism, and the Scottish Renaissance Movement / Lisa Otty -- Sami Artist Group 1978–1983: Otherness or Avant-Garde? / Hanna Horsberg Hansen -- Anationalism and the Search for a Universal Language: Esperantism and the European Avant-Garde / Benedikt Hjartarson -- Revising the Aporias of the Avant-Garde / Konstantin Dudakov-



Kashuro -- Contributors / Editors DECENTRING THE AVANT-GARDE -- Index / Editors DECENTRING THE AVANT-GARDE.

Sommario/riassunto

Decentring the Avant-Garde presents a collection of articles dealing with the topography of the avant-garde. The focus is on different responses to avant-garde aesthetics in regions traditionally depicted as cultural, geographical and linguistic peripheries. Avant-garde activities in the periphery have to date mostly been described in terms of a passive reception of new artistic trends and currents originating in cultural centres such as Paris or Berlin. Contesting this traditional view, Decentring the Avant-Garde highlights the importance of analysing the avant-garde in the periphery in terms of an active appropriation of avant-garde aesthetics within different cultural, ideological and historical settings. A broad collection of case studies discusses the activities of movements and artists in various regions in Europe and beyond. The result is a new topographical model of the international avant-garde and its cultural practices.