1.

Record Nr.

UNISA996466252903316

Titolo

Critical  Infrastructure Protection [[electronic resource] ] : Advances in Critical Infrastructure Protection: Information Infrastructure Models, Analysis, and Defense / / edited by Javier Lopez, Roberto Setola, Stephen Wolthusen

Pubbl/distr/stampa

Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2012

ISBN

3-642-28920-7

Edizione

[1st ed. 2012.]

Descrizione fisica

1 online resource (XIV, 357 p.)

Collana

Security and Cryptology ; ; 7130

Disciplina

005.8

Soggetti

Computer security

Management information systems

Computer science

Data encryption (Computer science)

Computers and civilization

Algorithms

Application software

Systems and Data Security

Management of Computing and Information Systems

Cryptology

Computers and Society

Algorithm Analysis and Problem Complexity

Information Systems Applications (incl. Internet)

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and author index.

Sommario/riassunto

The present volume aims to provide an overview of the current understanding of the so-called Critical Infrastructure (CI), and particularly the Critical Information Infrastructure (CII), which not only forms one of the constituent sectors of the overall CI, but also is unique in providing an element of interconnection between sectors as well as often also intra-sectoral control mechanisms. The 14 papers of



this book present a collection of  pieces of scientific work in the areas of critical infrastructure protection. In combining elementary concepts and models with policy-related issues on one hand and placing an emphasis on the timely area of control systems, the book aims to highlight some of the key issues facing the research community.

2.

Record Nr.

UNINA9910823047203321

Titolo

Formwerdung und formentzug / / herausgegeben von Franz Engel und Yannis Hadjinicolaou

Pubbl/distr/stampa

Berlin ; ; Boston : , : De Gruyter, , 2016

©2016

ISBN

3-11-042944-6

3-11-042942-X

Descrizione fisica

1 online resource (284 pages)

Collana

Actus et Imago ; ; Band 16

Disciplina

117

Soggetti

Form (Aesthetics)

Form (Philosophy)

Lingua di pubblicazione

Tedesco

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di contenuto

Frontmatter -- Inhaltsverzeichnis -- Formwerdung und Formentzug / Engel, Franz / Hadjinicolaou, Yannis -- Form und Schematismus / Boehm, Gottfried -- Formen von Abstraktion im Mittelalter / Trinks, Stefan -- Formen wie Gott mit Farben. / Rosen, Valeska von -- El Greco von Nah und Fern / Hadjinicolaou, Yannis -- Verzögertes Formerkennen als ästhetische Erfahrung / Rosenberg, Raphael -- Der kurze Sommer der Verausgabung / Didi-Huberman, Georges -- Formwerdung, Formentzug, Formüberschreitung / Nakas, Kassandra -- "Durchscheinende Flüsse einer Flüssigkeit" / Engel, Franz -- Das Als-ob der Formlosigkeit und die Fotografie / Rübel, Dietmar -- White-out / Höfler, Carolin -- Bildnachweise -- Backmatter

Sommario/riassunto

Der Prozess der Formung beginnt mit der Auseinandersetzung mit dem Chaos, einer immer wieder aktualisierten Anspielung auf die göttliche



Schöpfung. Dieser Topos des Anfangs - das weiße Blatt Papier, der Farbfleck, die kalte Tonmasse oder die klaffende Baulücke - war seit Plinius ein zentrales Element des Sprechens über Bilder, und er fand in der Kunsttheorie seine Fortsetzung. Wenn den Dingen allerdings ihre Form entzogen wird, so scheint die Gegenhandlung im Spiel zu sein. Die materialästhetische Debatte des Formlosen steht von Beginn an unter der Bedingung dessen, dass Materie an sich formlos ist. Der vorliegende Band mit Beiträgen international renommierter Wissenschaftler versucht Formwerdung und Formentzug als Vorgänge zu verstehen, die gleichermaßen am Zuge sind, sobald Kunstwerke ihre Wirkmächtigkeit entfalten.

The process of formation begins with the study of chaos, a constantly renewed allusion to divine creation. This topos of the beginning - the white paper, the stain of paint, the cold clay, or the open gap between buildings - has been a core element of discussing art since Pliny, and it found its continuation in art theory. Yet, if form is removed from a thing, the opposite comes into play. The material aesthetic debate regarding formlessness has always been subject to the condition that matter is formless in itself. This volume contains contributions by internationally renowned scholars and attempts to understand the creation and deduction of form, which both play an equally important role when a work of art unfolds its potency.