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1. |
Record Nr. |
UNISA996466252903316 |
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Titolo |
Critical Infrastructure Protection [[electronic resource] ] : Advances in Critical Infrastructure Protection: Information Infrastructure Models, Analysis, and Defense / / edited by Javier Lopez, Roberto Setola, Stephen Wolthusen |
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Pubbl/distr/stampa |
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Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2012 |
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ISBN |
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Edizione |
[1st ed. 2012.] |
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Descrizione fisica |
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1 online resource (XIV, 357 p.) |
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Collana |
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Security and Cryptology ; ; 7130 |
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Disciplina |
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Soggetti |
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Computer security |
Management information systems |
Computer science |
Data encryption (Computer science) |
Computers and civilization |
Algorithms |
Application software |
Systems and Data Security |
Management of Computing and Information Systems |
Cryptology |
Computers and Society |
Algorithm Analysis and Problem Complexity |
Information Systems Applications (incl. Internet) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and author index. |
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Sommario/riassunto |
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The present volume aims to provide an overview of the current understanding of the so-called Critical Infrastructure (CI), and particularly the Critical Information Infrastructure (CII), which not only forms one of the constituent sectors of the overall CI, but also is unique in providing an element of interconnection between sectors as well as often also intra-sectoral control mechanisms. The 14 papers of |
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this book present a collection of pieces of scientific work in the areas of critical infrastructure protection. In combining elementary concepts and models with policy-related issues on one hand and placing an emphasis on the timely area of control systems, the book aims to highlight some of the key issues facing the research community. |
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2. |
Record Nr. |
UNINA9910823047203321 |
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Titolo |
Formwerdung und formentzug / / herausgegeben von Franz Engel und Yannis Hadjinicolaou |
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Pubbl/distr/stampa |
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Berlin ; ; Boston : , : De Gruyter, , 2016 |
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©2016 |
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ISBN |
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3-11-042944-6 |
3-11-042942-X |
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Descrizione fisica |
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1 online resource (284 pages) |
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Collana |
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Actus et Imago ; ; Band 16 |
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Disciplina |
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Soggetti |
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Form (Aesthetics) |
Form (Philosophy) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Frontmatter -- Inhaltsverzeichnis -- Formwerdung und Formentzug / Engel, Franz / Hadjinicolaou, Yannis -- Form und Schematismus / Boehm, Gottfried -- Formen von Abstraktion im Mittelalter / Trinks, Stefan -- Formen wie Gott mit Farben. / Rosen, Valeska von -- El Greco von Nah und Fern / Hadjinicolaou, Yannis -- Verzögertes Formerkennen als ästhetische Erfahrung / Rosenberg, Raphael -- Der kurze Sommer der Verausgabung / Didi-Huberman, Georges -- Formwerdung, Formentzug, Formüberschreitung / Nakas, Kassandra -- "Durchscheinende Flüsse einer Flüssigkeit" / Engel, Franz -- Das Als-ob der Formlosigkeit und die Fotografie / Rübel, Dietmar -- White-out / Höfler, Carolin -- Bildnachweise -- Backmatter |
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Sommario/riassunto |
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Der Prozess der Formung beginnt mit der Auseinandersetzung mit dem Chaos, einer immer wieder aktualisierten Anspielung auf die göttliche |
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Schöpfung. Dieser Topos des Anfangs - das weiße Blatt Papier, der Farbfleck, die kalte Tonmasse oder die klaffende Baulücke - war seit Plinius ein zentrales Element des Sprechens über Bilder, und er fand in der Kunsttheorie seine Fortsetzung. Wenn den Dingen allerdings ihre Form entzogen wird, so scheint die Gegenhandlung im Spiel zu sein. Die materialästhetische Debatte des Formlosen steht von Beginn an unter der Bedingung dessen, dass Materie an sich formlos ist. Der vorliegende Band mit Beiträgen international renommierter Wissenschaftler versucht Formwerdung und Formentzug als Vorgänge zu verstehen, die gleichermaßen am Zuge sind, sobald Kunstwerke ihre Wirkmächtigkeit entfalten. |
The process of formation begins with the study of chaos, a constantly renewed allusion to divine creation. This topos of the beginning - the white paper, the stain of paint, the cold clay, or the open gap between buildings - has been a core element of discussing art since Pliny, and it found its continuation in art theory. Yet, if form is removed from a thing, the opposite comes into play. The material aesthetic debate regarding formlessness has always been subject to the condition that matter is formless in itself. This volume contains contributions by internationally renowned scholars and attempts to understand the creation and deduction of form, which both play an equally important role when a work of art unfolds its potency. |
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