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1. |
Record Nr. |
UNINA9910451083103321 |
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Titolo |
The political economy of European employment : European integration and the transnationalization of the (un)employment question / / edited by Henk Overbeek |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 2003 |
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ISBN |
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1-134-49277-4 |
1-280-06230-4 |
0-203-01064-7 |
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Descrizione fisica |
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1 online resource (295 p.) |
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Collana |
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Routledge/RIPE Studies in Global Political Economy |
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Classificazione |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Labor market - European Union countries |
Unemployment - European Union countries |
Labor policy - European Union countries |
Globalization - Economic aspects - European Union countries |
Electronic books. |
Europe Economic integration |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [233]-262) and index. |
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Nota di contenuto |
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Cover; The Political Economy of European Employment: European Integration and the Transnationalization of the (Un)Employment Question; Copyright; Contents; List of illustrations; Notes on contributors; Series editors' preface; Acknowledgements; List of abbreviations; 1. Transnational political economy and the politics of European (un)employment: introducing the themes; Part I: The changing political economy of employment; 2. Globalization, neo-liberalism and the employment question; 3. Changes in welfare regimes and the search for flexibility and employability |
4. European employment policy between neo-liberal rationalism and communitarianismPart II: Europeanizing employment policy; 5. The emergence of European employment policy as a transnational political arena; 6. Economic and Monetary Union, employment and gender politics: a feminist constructivist analysis of neo-liberal labour-market restructuring in Europe; 7. European unemployment and transnational |
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capitalist class strategy: the rise of the neo-liberal competitiveness discourse; Part III: The articulation of global and EU tendencies with national dynamics |
8. From Thatcherism to New La0bour: neo-liberalism, workfarism and labour-market regulation9. Competitive corporatism? National and transnational elements in the Dutch employment 'miracle'; 10. The political economy of labour-market restructuring and trade union responses in the social-democratic heartland; 11. Mediterranean labour and the impact of Economic and Monetary Union: mass unemployment or labour-market flexibility?; Part IV: Conclusion; 12. Conflicting views on how to address (un)employment in Europe: a tentative conclusion; Bibliography; Index |
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Sommario/riassunto |
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This edited collection examines unemployment in Europe in the context of globalisation, the implementation of European Monetary Union and the Eastern enlargement of the EU. It combines theoretical chapters with detailed case-studies of Britain, The Netherlands, Italy, Spain and Central Europe. |
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2. |
Record Nr. |
UNINA9910822574503321 |
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Autore |
Cherney Brian |
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Titolo |
Harry Somers / / Brian Cherney |
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Pubbl/distr/stampa |
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Toronto, [Ontario] ; ; Buffalo, [New York] : , : University of Toronto Press, , 1975 |
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©1975 |
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ISBN |
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1-4426-5462-7 |
1-4426-5271-3 |
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Descrizione fisica |
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1 online resource (204 pages) : illustrations |
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Collana |
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Disciplina |
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Soggetti |
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Composers - Canada |
Biographies. |
collective biographies. |
Electronic books. |
Canada |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Contents -- General foreword/Avant-propos général -- Acknowledgments -- 1. The early years -- 2. The apprenticeship -- 3. Paris 1950 -- 4. Consolidation, recognition 1951-9 -- 5. Paris 1960-1 and the orchestral works of the late fifties and early sixties -- 6. New directions: the vocal works of the sixties -- 7. Louis Riel -- 8. Rome 1969-71 and the early seventies -- Appendix 1. Compositions by Harry Somers -- Appendix 2. Discography -- Appendix 3. Synopsis of Louis Kiel -- Selected bibliography -- Index |
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Sommario/riassunto |
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Harry Somers is one of Canada's leading composers, and one of the most original. In the 1950s he experimented with contrapuntal writing, serialism, and style juxtaposition; in more recent years he has been concerned with the development of new vocal resources and improvisation.Harry Somers, a detailed study of the composer and his works, has been commissioned by the Canadian Music Centre as the first of a series, each volume of which will cover in depth the career and works of a major Canadian composer.Within the framework provided by major biographical events, Brian Cherney traces Somers' development as a composer from 1939 to 1973 by analysing works from various stages in his career. He discusses in particular the influences on Somers of Bartók, Debussy, and Weinzweig, the interrelationships between his works, and his stylistic traits and compositional techniques. A chronological list of Somers' works is included, and, because of its importance, an entire chapter is devoted to the opera Louis Riel. In view of the scarcity of in-depth critical literature on Canadian composers, this thorough and objective book will be of interest to music students, professional musicians, composers, and the general music public, both in Canada and abroad. |
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3. |
Record Nr. |
UNINA9910157638703321 |
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Autore |
Doderer Heimito von <1896-1966, > |
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Titolo |
Der Grenzwald : Roman |
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Pubbl/distr/stampa |
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München : , : C.H. Beck, , 2016 |
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©2016 |
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ISBN |
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Edizione |
[2nd ed.] |
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Descrizione fisica |
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1 online resource (271 pages) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Austrian fiction - 20th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Front Matter -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- 8 -- 9 -- 10 -- TAGEBUCHAUFZEICHNUNGEN ZU 'ROMAN NO 7/II' -- ZUM STAND DES FRAGMENTS -- Back Matter. |
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Sommario/riassunto |
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"Der Grenzwald" war von Heimito von Doderer als zweiter "Satz" des nach dem Vorbild einer Symphonie in vier Sätzen aufgebauten "Romans No. 7" geplant. Die Einheit dieses vierteiligen Werkes sollte nicht im Inhalt, sondern allein in seinen Formelementen liegen. Wie im ersten "Satz", den "Wasserfällen von Slunj", tritt eine Figur weitgehend in den Mittelpunkt. Es ist der Oberleutnant Zienhammer, Durchschnittsmensch mit einem Schicksal, das in allen Kriegen, so aktuell ist wie in dem, den Heimito von Doderer schildert. Neben Zienhammer steht der Arzt Dr. Alfons Halfon im Vordergrund: im Konflikt mit seinem Vater und auf der Suche nach den befremdlichen Todesumständen seiner Mutter. Obwohl "Der Grenzwald" Fragment geblieben ist, ist Doderers Technik, die Dinge als sie selbst wirken zu lassen, bereits durchschaubar; und der Raum, der durch das Motiv des "Grenzwaldes" geschaffen wird, verleiht dem Werk auch in der Gestalt die atmosphärische Dichte, die Doderers Romane stets ausgezeichnet hat. |
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