1.

Record Nr.

UNINA9910822431003321

Autore

Powers David M.

Titolo

From plantation to paradise? : cultural politics and musical theatre in French slave colonies, 1764-1789 / / David M. Powers

Pubbl/distr/stampa

East Lansing, Michigan : , : Michigan State University Press, , 2014

©2014

ISBN

1-62895-022-6

1-60917-410-0

Descrizione fisica

1 online resource (273 p.)

Disciplina

792.0944/09033

Soggetti

Theater and society - France - History - 18th century

Theater and society - West Indies, French - History - 18th century

Musical theater - West Indies, French - History - 18th century

West Indies, French Social life and customs 18th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Contents; List of Illustrations; Preface; Acknowledgments; Introduction; Chapter 1. Establishment of Colonial Hierarchy; Chapter 2. Politics and Power; Chapter 3. Colonial Society at the Theatre; Chapter 4. Introducing the Stars; Chapter 5. Breaking through the Barrier; Chapter 6. The Escape from Reality Continues; Chapter 7. Finale: The Beginning of the End; Epilogue; Appendix 1. Glossary; Appendix 2. "La Fauvette" (The Warbler); Appendix 3. Moreau: Effects of Miscegenation; Appendix 4. Descriptions of Colonial Theatres; Appendix 5. Premieres of Plays by Molière and Voltaire

Appendix 6. DiscographyAppendix 7. Colonial Productions with Sub-Saharan African Elements; Notes; Bibliography; Index

Sommario/riassunto

In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre-French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers's book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and



both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in