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1. |
Record Nr. |
UNINA9910451444103321 |
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Titolo |
Issues in curating contemporary art and performance [[electronic resource] /] / edited by Judith Rugg and Michèle Sedgwick |
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Pubbl/distr/stampa |
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Bristol, UK ; ; Chicago, : Intellect, 2007 |
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ISBN |
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1-281-17236-7 |
9786611172367 |
1-84150-215-4 |
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Descrizione fisica |
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1 online resource (186 p.) |
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Altri autori (Persone) |
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RuggJudith |
SedgwickMichèle |
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Disciplina |
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Soggetti |
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Art and technology |
Art - Exhibition techniques |
Museums - Curatorship |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Front Cover; Preliminary Pages; Contents; Introduction; Part 1: Forms of Thinking in Contemporary Curating; The Curatorial Turn: From Practice to Discourse; Curatorial Strategy as Critical Intervention: The Genesis of Facing East; No Place like Home: Europa; Part 2: Curating and the Interdisciplinary: Encounter, Context, Experience; Critical Spatial Practice: Curating, Editing, Writing; Exhibitions and Their Prerequisites; Part 3: The Role of the Curator: Contestation and Consideration; Curating Doubt |
A Parallel Universe: The ""Women's"" Exhibitions at the ICA, 1980, and the UK/Canadian Film and Video Exchange, 1998-2004Thoughts on Curating; Part 4: Emergent Practices: Subverting the Museum; Oscillating the 'high/low' Art Divide: Animation in Museums and Galleries; Generator: The Value of Software Art; Who Makes Site-specific Dance? The Year of the Artist and the Matrix of Curating; The Movement Began with a Scandal; Notes on Contributors; Back Cover |
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Sommario/riassunto |
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Explores developments in electronic art, art/science collaboration, nongallery spaces, and 'virtual' fields. This volume examines issues |
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surrounding the curation of art and performance exhibitions. It covers original theories and expanded concepts of curating contemporary art. |
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2. |
Record Nr. |
UNINA9910822347903321 |
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Autore |
Conway Kelley |
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Titolo |
Agnès Varda / / Kelley Conway |
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Pubbl/distr/stampa |
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Urbana, [Illinois] : , : University of Illinois Press, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (209 p.) |
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Collana |
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Contemporary Film Directors |
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Disciplina |
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Soggetti |
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Motion pictures - France |
France |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes filmography, bibliographical references and index. |
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Nota di contenuto |
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New wave cineaste to digital gleaner : change and continuity in the work of Agnes Varda -- Planning and precision : La pointe courte -- Structure and digression : the early short documentaries -- Cultivating the new wave spectator : Cleo from 5 to 7 -- Improvisation and formal patterning : Vagabond -- Social criticism and the self-portrait : The gleaners and I -- From cinema to the gallery : Patatutopia and L'île et elle -- Looking backward, moving forward : The beaches of Agnes -- Conclusion -- Interview. |
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Sommario/riassunto |
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Both a precursor to and a critical member of the French New Wave, Agnes Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo from 5 to 7 (1962) brought her a level of international acclaim she has yet to relinquish. Film historian Kelley Conway traces Varda's works from her 1954 debut La Pointe Courte through a varied career that includes nonfiction and fiction shorts and features, installation art, and the triumphant 2008 documentary The Beaches of Agnes . Drawing on Varda's archives and conversations with |
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the filmmaker, Conway focuses on the concrete details of how Varda makes films: a project's emergence, its development and the shifting forms of its screenplay, the search for financing, and the execution from casting through editing and exhibition. In the process, she explores the artistic consistencies and bold changes in Varda's career and reveals how one woman charted a nontraditional trajectory through independent filmmaking. |
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