1.

Record Nr.

UNINA9910822186403321

Autore

Ferrall Charles

Titolo

Modernist writing and reactionary politics / / Charles Ferrall

Pubbl/distr/stampa

Cambridge, UK ; ; New York, : Cambridge University Press, 2001

ISBN

0-511-04731-2

0-511-15378-3

0-511-01775-8

Edizione

[1st ed.]

Descrizione fisica

1 online resource (210 p.)

Disciplina

820.9/00912

Soggetti

English literature - 20th century - History and criticism

Modernism (Literature) - Great Britain

Politics and literature - Great Britain - History - 20th century

American literature - 20th century - History and criticism

Politics and literature - United States - History - 20th century

Literature and society - History - 20th century

Fascism in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. 186-198) and index.

Nota di contenuto

""Cover""; ""Half-title""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Acknowledgements""; ""Introduction""; ""I""; ""II""; ""CHAPTER 1 W. B. Yeats and the family romance of Irish nationalism""; ""CHAPTER 2 Ezra Pound and the poetics of literalism""; ""I""; ""II""; ""III""; ""IV""; ""CHAPTER 3 'Neither Living nor Dead': T. S. Eliot and the uncanny""; ""I""; ""II""; ""CHAPTER 4 The homosocial and fascism in D. H. Lawrence""; ""CHAPTER 5 'Always Deux': Wyndham Lewis and his doubles""; ""Notes""; ""INTRODUCTION""; ""1. W. B. YEATES AND THE FAMILY ROMANCE OF IRISH NATIONALISM""

""2. EZRA POUND AND THE POETICS OF LITERALISM""""3. 'NEITHER LIVING NOR DEAD': T. S. ELIOT AND THE UNCANNY""; ""4. THE HOMOSOCIAL AND FASCISM IN D. H. LAWRENCE""; ""5. ALWAYS DEUX: WYNDHAM LEWIS AND HIS DOUBLES""; ""Works cited""; ""Index""

Sommario/riassunto

Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an



increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy.