1.

Record Nr.

UNINA9910821766103321

Autore

Pelham Abigail

Titolo

Contested creations in the Book of Job [[electronic resource] ] : the-world-as-it-ought-and-ought-not-to-be / / by Abigail Pelham

Pubbl/distr/stampa

Leiden ; ; Boston, : Brill, 2012

ISBN

1-280-69859-4

9786613675552

90-04-23029-7

Edizione

[1st ed.]

Descrizione fisica

1 online resource (271 p.)

Collana

Biblical interpretation series, , 0928-0731 ; ; v. 113

Disciplina

223/.106

Soggetti

Creation - Biblical teaching

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and indexes.

Nota di contenuto

Preliminary Material -- Prologue: The Author, the Reader, and the Professional Not-Knower -- 1. Creation in the Book of Job: Reading Backwards and Forwards for Questions and Possibilities -- 2. Relationships Between Persons in the World-as-It-Ought-and-Ought-Not-to-Be: Centrality and Dispersion, Connectedness and Loneliness -- 3. Time in the World-as-It-Ought-and-Ought-Not-to-Be: Stasis, Change, and Death -- 4. Inside and Outside: The Configuration of Space in the World-as-It-Ought-and-Ought-Not-to-Be -- 5. The Explosive Finale: Reading Backwards from the Epilogue -- Epilogue: Negotiating and Renegotiating the World -- Bibliography -- Index of Names -- Index of Subjects -- Index of Scriptures.

Sommario/riassunto

In Contested Creations in the Book of Job: the-world-as-it-ought- and -ought-not-to-be Abigail Pelham reads the Book of Job both ‘forwards’—examining the perspectives on creation presented by Job and his friends and corrected by God’s authoritative voice from the whirlwind—and ‘backwards,’ demonstrating how the epilogue explodes readers’ certainties, forcing a reappraisal of the characters’ claims. The epilogue, Pelham argues, changes the book from one containing answers about creation to one which poses questions: What does it mean to make the world? Who has the power to create? If humans have creative power, is it divinely sanctioned, or has Job, acting creatively, set himself up as God’s rival? Engaging more thoroughly with Job’s



ambiguity than previous scholars have done, Contested Creations explores the possibilities raised by these questions and considers their implications both within the book and beyond.