Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb

• Record Nr.: UNINA9910828109703321
• Autore: Hitchcock Alfred <1899-1980, >
• Pubbl/distr/stampa: Oakland, California : , : University of California Press, , 2015; ©2015
• ISBN: 0-520-27960-3; 0-520-96039-4
• Descrizione fisica: 1 online resource (738 p.)
• Classificazione: HN 4446
• Disciplina: 791.430233092
• Soggetti: Motion pictures - Production and direction; Motion pictures
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Hitchcock on Hitchcock, Volume 2 -- Front matter -- CONTENTS -- Acknowledgments -- Introduction -- STORIES AND SUSPENSE -- Introduction -- The Henley Telegraph Stories -- Good-night, Nurse! (c. 1922-23) -- Hitchcock on Stories (1937) -- Lights! Action!-but Mostly Camera! (1941) -- Hitchcock, Master Maker of Mystery (1941) -- Introduction to Intrigue: Four Great Spy Novels of Eric Ambler (1943) -- The Quality of Suspense (1945) -- The Film Thriller (1946) -- Death in the Crystal Ball (1950) -- The Wise Man of Kumin (1951) -- The Chloroform Clue: My Favorite True Mystery (1953) -- "It's the Manner of Telling": An Interview with Alfred Hitchcock (1976) -- PURE CINEMA AND THE HITCHCOCK TOUCH -- Introduction -- Titles-Artistic and Otherwise (1921) -- How a Talking Film Is Made (1929) -- Why I Make Melodramas (1937) -- Some Thoughts on Color (1937) -- The "Hitch" Touch (1946) -- Encounter with Alfred Hitchcock (1956) -- Alfred Hitchcock Murders a Blonde (1958) -- My Favorite Film Character Is-ME! (1959) -- A Lesson in PSYCHO-logy (1960) -- Rear Window (1968) -- ON DIRECTORS AND DIRECTING -- Introduction -- An Autocrat of the Film Studio (1928) -- A New "Chair" Which a Woman Might Fill (1929) -- A Columbus of the Screen (1931) -- Britain Must Be Great (1932) -- The Man Who Knew Too Much (1956) -- Hitchcock on Truffaut (1962) -- Declaration of Alfred Hitchcock (1967) -- Interview ; with Alfred Hitchcock (1973) -- HITCHCOCK AT WORK -- Introduction -- Making Murder! (1930) -- Hitchcock's Notes on Stage Fright (c. 1950) -- Interview with Alfred Hitchcock (1955) -- Alfred Hitchcock Brings His Directing Techniques to the Medium of Television (1955) -- Hitch: I Wish I Didn't Have to Shoot the Picture (1966) -- HITCHCOCK SPEAKS -- Introduction -- Hitchcock Speaking (1956) -- Women (1959) -- Alfred Hitchcock Resents (1962) -- The Chairman of the Board (1964) -- John Player Lecture (1967) -- Interview: Alfred Hitchcock (1978) -- Selected Bibliography -- Acknowledgments of Permissions -- Index
• Sommario/riassunto: This second volume of Alfred Hitchcock's reflections on his life and work and the art of cinema contains material long out of print, not easily accessible, and in some cases forgotten or unknown. Edited by Sidney Gottlieb, this new collection of interviews, articles with the great director's byline, and "as-told-to" pieces provides an enlivening perspective on a career that spanned seven decades and transformed the history of cinema. In writings and interviews imbued with the same exuberance and originality that he brought to his films, Hitchcock ranges from accounts of his own life and experiences to provocative comments on filmmaking techniques and cinema in general. Wry, thoughtful, witty, and humorous-as well as brilliantly informative and insightful-this volume contains much valuable material that adds to our understanding and appreciation of a titan who decades after his death remains one of the most renowned and influential of all filmmakers. François Truffaut once said that Hitchcock "had given more thought to the potential of his art than any of his colleagues." This profound contemplation of his art is superbly captured in the pieces from all periods of Hitchcock's career gathered in this volume, which reveal fascinating details about how he envisioned and attempted to create a "pure cinema" that was entertaining, commercially successful, and artistically ambitious and innovative in an environment that did not always support this lofty goal.

Beyoncé in formation : remixing black feminism / / Omise'eke Natasha Tinsley

• Record Nr.: UNINA9910821391103321
• Autore: Tinsley Omise'eke Natasha <1971->
• Pubbl/distr/stampa: Austin : , : University of Texas, , 2018
• ISBN: 1-4773-1772-4; 1-4773-1771-6
• Descrizione fisica: 1 online resource (215 pages)
• Disciplina: 782.42164092
• Soggetti: African American women singers; African American feminists; Feminism and music
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Introduction: for the Texas bama femme -- Family album: making lemonade out of marriage, motherhood, and southern tradition -- Queen bee blues -- Mama said shoot -- Most bomb pussy: toward a black feminist pleasure politics -- Love the grind -- Unapologetically femme -- Calling for freedom: black women's activism in the US south -- Freedom, too -- I came to slay -- Outro: I know Beyoncé loves black femmes.
• Sommario/riassunto: Making headlines when it was launched in 2015, Omise’eke Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism” has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley’s “Femme-onade” mixtape explores myriad facets of black women’s sexuality and gender. Turning to Beyoncé’s “Don’t Hurt Yourself,” Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in “Daddy Lessons,” interspersing these passages with memories from Tinsley’s multiracial family history. Her chapters on ; nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video “Formation,” underscoring why Beyoncé’s black femme-inism isn’t only for ciswomen. From pleasure politics and the struggle for black women’s reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey’s provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay’s Bad Feminist and Jill Lepore’s best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.

Social experimentation / / edited by Jerry A. Hausman and David A. Wise

• Record Nr.: UNINA9910963670803321
• Pubbl/distr/stampa: Chicago, : University of Chicago Press, 1985
• ISBN: 9786611223564; 9781281223562; 1281223565; 9780226319421; 0226319423
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (304 p.)
• Collana: A Conference report / National Bureau of Economic Research
• Altri autori (Persone): HausmanJerry A; WiseDavid A
• Disciplina: 361.6072
• Soggetti: Electric utilities - Rates - Time-of-use pricing - United States - Evaluation; Evaluation research (Social action programs); Housing subsidies - United States - Evaluation; Medical policy - United States - Evaluation; Negative income tax - United States - Evaluation
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Papers presented at a conference held in 1981 sponsored by the National Bureau of Economic Research.
• Nota di bibliografia: Includes bibliographies and indexes.
• Nota di contenuto: Front matter -- Contents -- Introduction -- 1. The Residential Electricity Time-of-Use Pricing Experiments: What Have We Learned? -- 2. Housing Behavior and the Experimental Housing-Allowance Program: What Have We Learned? -- 3. Income-Maintenance Policy and Work Effort: Learning from Experiments and Labor-Market Studies -- 4. Macroexperiments versus Microexperiments for Health Policy -- 5. Technical Problems in Social Experimentation: Cost versus Ease of Analysis -- 6. Toward Evaluating the Cost-Effectiveness of Medical and Social Experiments -- 7. The Use of Information in the Policy Process: Are Social-Policy Experiments Worthwhile? -- 8. Social Science Analysis and the Formulation of Public Policy: Illustrations of What the President "Knows" and How He Comes to "Know" It -- Contributors -- Author Index -- Subject Index
• Sommario/riassunto: Since 1970 the United States government has spent over half a billion dollars on social experiments intended to assess the effect of potential tax policies, health insurance plans, housing subsidies, and other programs. Was it worth it? Was anything learned from these experiments that could not have been learned by other, and cheaper, means? Could the experiments have been better designed or analyzed? These are some of the questions addressed by the contributors to this volume, the result of a conference on social experimentation sponsored in 1981 by the National Bureau of Economic Research. The first section of the book looks at four types of experiments and what each accomplished. Frank P. Stafford examines the negative income tax experiments, Dennis J. Aigner considers the experiments with electricity pricing based on time of use, Harvey S. Rosen evaluates housing allowance experiments, and Jeffrey E. Harris reports on health experiments. In the second section, addressing experimental design and analysis, Jerry A. Hausman and David A. Wise highlight the absence of random selection of participants in social experiments, Frederick Mosteller and Milton C. Weinstein look specifically at the design of medical experiments, and Ernst W. Stromsdorfer examines the effects of experiments on policy. Each chapter is followed by the commentary of one or more distinguished economists.